Istituto di Storia dell'Arte / Atlante delle Xilografie italiane del Rinascimento

OGGETTO

definizione: stampa

SOGGETTO

titolo parallelo: Descent from the Cross

PROVENIENZA

DATAZIONE

sec. XVI, primo quarto
1518 ca.

AUTORE

STATO DELLA STAMPA

secondo stato (di due)

DATI TECNICI

xilografia; chiaroscuro; mm 359 x 282 ca., ; mm 432 x 375 ca.
materia del supporto: carta

STATO DI CONSERVAZIONE

buono

MODALITÀ DI CONSERVAZIONE

RESTAURI

ISCRIZIONI

tipologia: indicazione di responsabilità
tecnica di scrittura: a stampa
tipo di caratteri: lettere capitali
trascrizione: UGO/ DA/ CAR/ PI










STEMMI, MARCHI

NOTIZIE STORICO-CRITICHE

Chiaroscuro woodcut from 3 blocks, pink/black, state ii

States:
state i/ii with the inscription “UGO/ DA/CAR/PI” in the light tone block
state ii/ii with the added inscription “RAPHAEL∙VRBINAS+” in the light tone block, in the lower border

For commentary see ALU.0946.1 from

Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018, pp. 83-85.

Other impressions of state iia/ii (before wormholes):

-MMA 22.73.3-13: light green/green/black https://www.metmuseum.org/art/collection/search/632734
-Harvard M9801: light green/green/black https://hvrd.art/o/233058
-MFA Boston P1682: light blue/blue/black https://collections.mfa.org/objects/109681/the-descent-from-the-cross
-PMA 1985-52-71 https://www.philamuseum.org/collections/permanent/30007.html
-PMA 1985-52-1838 https://www.philamuseum.org/collections/permanent/30006.html
-Albertina 2002/287: olive https://www.graphikportal.org/document/gpo00080097 https://sammlungenonline.albertina.at/m/?query=search=/record/objectnumbersearch=[DG2002%2f287]&showtype=record
-Rijksmuseum RP-P-OB-31.026: light green/green/black http://hdl.handle.net/10934/RM0001.COLLECT.51240
-Rijksmuseum RP-P-OB-31.029: yellow/green/black http://hdl.handle.net/10934/RM0001.COLLECT.51242

Variant from 2 of 3 blocks: Windsor RCIN 850450: gray-blue/gray https://www.rct.uk/collection/search#/2/collection/850450/the-descent-from-the-cross

Other impressions of state iib/ii (with wormholes in the line block in the bottom left corner, and in the light tone block in the cloak of the figure on the right ladder):

-Berlin 533-108: olive/gray/black
-Munich 4178: green/olive/black
-BnF Réserve EA 39:olive/dark olive/black
-GDSU st. sc. 92105: olives/black
-BM 1895,0122.1233 https://www.britishmuseum.org/collection/object/P_1895-0122-1233
-BM 1918,1010.34 https://www.britishmuseum.org/collection/object/P_1918-1010-34
-Albertina 2002/286: olive https://sammlungenonline.albertina.at/m/?query=search=/record/objectnumbersearch=[DG2002%2f286]&showtype=record

Impressions of state iic/ii (with a vertical break in the line block at bottom right, and a vertical break in the light tone block at bottom left)

-Budapest 6144: brown http://printsanddrawings.hu/search/prints/6144/
-LACMA M.88.91.172 https://collections.lacma.org/node/170986

Impressions of state iic/ii, printed by the F on Three Mounts Printer in oily brown/green-brown/black:

-Rijksmuseum RP-P-OB-31.027
-Rijksmuseum RP-P-OB-31.025 http://hdl.handle.net/10934/RM0001.COLLECT.51239
-BnF Réserve EA 39
-NMAH 21208
-V&A E.8-85
-EnsBA Est Mas 83
-Harvard M9802 https://hvrd.art/o/255069
-Harvard G7482 https://hvrd.art/o/273046
-Frankfurt 33922
-MFA Boston 64.1043 https://collections.mfa.org/objects/168240/the-descent-from-the-cross
-BM W,4.12 (possibly this edition) https://www.britishmuseum.org/collection/object/P_W-4-12
-ETH D.44
-PMA 1941-15-1 (possibly this edition) https://www.philamuseum.org/collections/permanent/194082.html

Impressions of uncertain state/edition:

-BnF Réserve EA 39: yellow/green/black
-BNE Madrid 41170: beige/green black http://bdh.bne.es/bnesearch/detalle/bdh0000167161
-Braunschweig I.XVI.3 light purple/violet/black
-Braunschweig I.AVI.WB1: purple/dark purple/dark gray (top half of sheet only) http://kk.haum-bs.de/?id=carpi-u-d-wb3-0001
-Budapest 6145: beige (late) http://printsanddrawings.hu/search/prints/6145/
-Cleveland 25.984 (state iia or iib) https://www.clevelandart.org/art/1925.984
-Fitzwilliam
-MFA Boston 64.1136 https://collections.mfa.org/objects/167978/the-descent-from-the-cross
-V&A 12506A: olive/green-blue/dark gray
-V&A [check accession]: olive/green/black
-Windsor 850449: browns/black
-Rijksmuseum RP-P-OB-31.028” light brown/brownblack: very late (profuse wormholes) http://hdl.handle.net/10934/RM0001.COLLECT.51241

For impressions of state i/ii see ALU.0946.1

DOCUMENTAZIONE FOTOGRAFICA

tipologia: fotografia digitale
ente proprietario: Los Angeles, LACMA ©

REPERTORI

Bartsch A. , Vienne, 1803-1821 , v. XII, p. 43, n. 22

BIBLIOGRAFIA

Johnson J. , Milano, 1982
Gnann A. , Monaco, 2013 , p. 116, n. 42
Takahatake N. , 2015 , pp. 167–86
Takahatake N. , Los Angeles, 2018 , pp. 83-85 (Stiber Morenus L./ Takahatake N.), p. 84, n. 14

MOSTRE/ESPOSIZIONI

Chiaroscuro Woodcut in Renaissance Italy Los Angeles County Museum of Art, Los Angeles, CA., June - September 2018 National Gallery of Art, Washington, D.C., October 2018 - January 2019, 2018-2019

AUTORE DELLA SCHEDA

Stiber Morenus L./ Takahatake N., 2020
Stiber Morenus L./ Takahatake N., Atlante delle xilografie italiane del Rinascimento, ALU.0946.2, https://archivi.cini.it/storiaarte/detail/46138/stampa-46138.html
aggiungi ai preferiti Torna all'esito