Istituto di Storia dell'Arte / Atlante delle Xilografie italiane del Rinascimento

OGGETTO

definizione: stampa

SOGGETTO

titolo parallelo: Descent from the Cross

PROVENIENZA

DATAZIONE

sec. XVI, primo quarto
1518 ca.

AUTORE

STATO DELLA STAMPA

secondo stato (di due)

DATI TECNICI

xilografia; chiaroscuro; mm 359 x 282 ca., ; mm 432 x 375 ca.
materia del supporto: carta

STATO DI CONSERVAZIONE

buono

MODALITÀ DI CONSERVAZIONE

RESTAURI

ISCRIZIONI

tipologia: indicazione di responsabilità
tecnica di scrittura: a stampa
tipo di caratteri: lettere capitali
posizione: in basso a destra
trascrizione: UGO/ DA/ CAR/ PI










STEMMI, MARCHI

NOTIZIE STORICO-CRITICHE

Chiaroscuro woodcut from 3 blocks, pink/black, state ii



States:

state i/ii with the inscription “UGO/ DA/CAR/PI” in the light tone block

state ii/ii with the added inscription “RAPHAEL∙VRBINAS+” in the light tone block, in the lower border



For commentary see ALU.0946.1 from



Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018, pp. 83-85.



Other impressions of state iia/ii (before wormholes):



-MMA 22.73.3-13: light green/green/black https://www.metmuseum.org/art/collection/search/632734

-Harvard M9801: light green/green/black https://hvrd.art/o/233058

-MFA Boston P1682: light blue/blue/black https://collections.mfa.org/objects/109681/the-descent-from-the-cross

-PMA 1985-52-71 https://www.philamuseum.org/collections/permanent/30007.html

-PMA 1985-52-1838 https://www.philamuseum.org/collections/permanent/30006.html

-Albertina 2002/287: olive https://www.graphikportal.org/document/gpo00080097 https://sammlungenonline.albertina.at/m/?query=search=/record/objectnumbersearch=[DG2002%2f287]&showtype=record

-Rijksmuseum RP-P-OB-31.026: light green/green/black http://hdl.handle.net/10934/RM0001.COLLECT.51240

-Rijksmuseum RP-P-OB-31.029: yellow/green/black http://hdl.handle.net/10934/RM0001.COLLECT.51242



- Kirk Edward Long Collection



Variant from 2 of 3 blocks: Windsor RCIN 850450: gray-blue/gray https://www.rct.uk/collection/search#/2/collection/850450/the-descent-from-the-cross



Other impressions of state iib/ii (with wormholes in the line block in the bottom left corner, and in the light tone block in the cloak of the figure on the right ladder):



-Berlin 533-108: olive/gray/black

-Munich 4178: green/olive/black

-BnF Réserve EA 39:olive/dark olive/black

-GDSU st. sc. 92105: olives/black

-BM 1895,0122.1233 https://www.britishmuseum.org/collection/object/P_1895-0122-1233

-BM 1918,1010.34 https://www.britishmuseum.org/collection/object/P_1918-1010-34

-Albertina 2002/286: olive https://sammlungenonline.albertina.at/m/?query=search=/record/objectnumbersearch=[DG2002%2f286]&showtype=record



Impressions of state iic/ii (with a vertical break in the line block at bottom right, and a vertical break in the light tone block at bottom left)



-Budapest 6144: brown http://printsanddrawings.hu/search/prints/6144/

-LACMA M.88.91.172 https://collections.lacma.org/node/170986



Impressions of state iic/ii, printed by the F on Three Mounts Printer in oily brown/green-brown/black:



-Rijksmuseum RP-P-OB-31.027

-Rijksmuseum RP-P-OB-31.025 http://hdl.handle.net/10934/RM0001.COLLECT.51239

-BnF Réserve EA 39

-NMAH 21208

-V&A E.8-85

-EnsBA Est Mas 83

-Harvard M9802 https://hvrd.art/o/255069

-Harvard G7482 https://hvrd.art/o/273046

-Frankfurt 33922

-MFA Boston 64.1043 https://collections.mfa.org/objects/168240/the-descent-from-the-cross

-BM W,4.12 (possibly this edition) https://www.britishmuseum.org/collection/object/P_W-4-12

-ETH D.44

-PMA 1941-15-1 (possibly this edition) https://www.philamuseum.org/collections/permanent/194082.html



Impressions of uncertain state/edition:



-BnF Réserve EA 39: yellow/green/black

-BNE Madrid 41170: beige/green black http://bdh.bne.es/bnesearch/detalle/bdh0000167161

-Braunschweig I.XVI.3 light purple/violet/black

-Braunschweig I.AVI.WB1: purple/dark purple/dark gray (top half of sheet only) http://kk.haum-bs.de/?id=carpi-u-d-wb3-0001

-Budapest 6145: beige (late) http://printsanddrawings.hu/search/prints/6145/

-Cleveland 25.984 (state iia or iib) https://www.clevelandart.org/art/1925.984

-Fitzwilliam

-MFA Boston 64.1136 https://collections.mfa.org/objects/167978/the-descent-from-the-cross

-V&A 12506A: olive/green-blue/dark gray

-V&A [check accession]: olive/green/black

-Windsor 850449: browns/black

-Rijksmuseum RP-P-OB-31.028” light brown/brownblack: very late (profuse wormholes) http://hdl.handle.net/10934/RM0001.COLLECT.51241



For impressions of state i/ii see ALU.0946.1


DOCUMENTAZIONE FOTOGRAFICA

tipologia: fotografia digitale
ente proprietario: Los Angeles, LACMA ©

REPERTORI

Bartsch A., Le peintre graveur, Vienne, 1803-1821, v. XII, p. 43, n. 22

BIBLIOGRAFIA

Johnson J., "I chiaroscuri di Ugo da Carpi", in Print Collector - Il conoscitore di stampe, Milano, 1982
Gnann A., In Farbe! Clair-obscur-Holzschnitte der Renaissance - Meisterwerke aus der Sammlung Georg Baselitz und der Albertina in Wien, Monaco, 2013, p. 116, n. 42
Takahatake N., "Raphael and the chiaroscuro woodcut", Raffael als Zeichner. Die Beiträge des Frankfurter Kolloquiums, 2015, pp. 167-186, pp. 167–86
Takahatake N., The Chiaroscuro Woodcut in Renaissance Italy, Los Angeles, 2018, pp. 83-85 (Stiber Morenus L./ Takahatake N.), p. 84, n. 14 
https://www.thelacmastore.org/products/the-chiaroscuro-woodcut-in-renaissance-italy?_pos=1&_sid=ce2a0cc2a&_ss=r

MOSTRE/ESPOSIZIONI

Chiaroscuro Woodcut in Renaissance Italy Los Angeles County Museum of Art, Los Angeles, CA., June - September 2018 National Gallery of Art, Washington, D.C., October 2018 - January 2019, 2018-2019

AUTORE DELLA SCHEDA

Stiber Morenus L./ Takahatake N., 2020
Stiber Morenus L./ Takahatake N., Atlante delle xilografie italiane del Rinascimento, ALU.0946.2, https://archivi.cini.it/storiaarte/detail/46138/stampa-46138.html, ISBN 978-88-96445-24-2

AGGIORNAMENTO

Battagliotti L., 2023
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