Istituto di Storia dell'Arte / storiaartexilografie

OGGETTO

definizione: stampa

SOGGETTO

identificazione: Morte di Anania
titolo parallelo: Death of Ananias

LOCALIZZAZIONE

Londra, British Museum, Department of Prints and Drawings

ACQUISIZIONE NELLA RACCOLTA

tipo acquisizione: donazione
1941

PROVENIENZA

data uscita: 1941

DATAZIONE

sec. XVI, primo quarto
1518

AUTORE

STATO DELLA STAMPA

secondo stato

DATI TECNICI

xilografia; chiaroscuro; mm 245 x 372 ca.
materia del supporto: carta
filigrana: presente: hand and flower

STATO DI CONSERVAZIONE

buono
indicazioni specifiche: lacune e macchie nella parte inferiore

MODALITÀ DI CONSERVAZIONE

RESTAURI

ISCRIZIONI

tipologia: indicazione di responsabilità
tecnica di scrittura: a stampa
tipo di caratteri: lettere capitali
trascrizione: RAPHAEL. VRBINAS/ PER VGO DACARPO










STEMMI, MARCHI

NOTIZIE STORICO-CRITICHE

Chiaroscuro woodcut from 4 blocks, grays/black, ii state

State i: With privilege printed below the image, possibly from a 5th block
State ii: “RAPHAEL. VRBINAS/ PER VGO DACARPO”
 inscribed on the front of the upper platform step.
State iii?: Bartsch described a third state, which has not been traced

See comment in ALU.0942.1 from

Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018, pp. 86-88.


Other impressions of state ii/ii:

-Albertina DG2002/292: light brown/black with inscription on step (wmk: possibly Hand and Flower) https://www.graphikportal.org/document/gpo00080091
-Berlin 535-108: light browns missing darkest block; with inscription on step (wmk: Siren in a Circle)
-Berlin 40-1882: blue-grey/brown with inscription on step
-BnF EA 39 res: greys-olive with inscription on step (wmk: Siren in a Circle)
-Chatsworth 18,22: greys/black with inscription on step (wmk: Hand and Flower)
-Frankfurt 33924: greys/black (wmk: Hand and Flower)
-Library of Congress FP - XVI - C298, no. 1a (B size): greys/black missing darkest block (wmk: Posthorn in a Circle)
-Library of Congress: beige/brown/dark grey missing darkest block
-Library of Congress: beige/brown/dark brown/black
-MFA K26: light brown/browns/black https://www.mfa.org/collections/object/the-death-of-ananias-109689
-MMA 18.17.3.121: light browns/black with inscription on step (wmk: Hand and Flower) https://www.metmuseum.org/art/collection/search/399989?
-Rijksmuseum RP-P-OB-31.032: greys (without darkest block?) with inscription on step (wmk: Hand and Flower) http://hdl.handle.net/10934/RM0001.COLLECT.51255
-Rijksmuseum RP-P-OB-31.035: olive/browns/black with inscription on step http://hdl.handle.net/10934/RM0001.COLLECT.51260
-Rijksmuseum RP-P-OB-31.034: light browns/black with inscription on step http://hdl.handle.net/10934/RM0001.COLLECT.51258
-Rijksmuseum RP-P-H-H-3: http://hdl.handle.net/10934/RM0001.COLLECT.51248
-BM 1857,0613.336: greys missing darkest block; with inscription on step https://www.britishmuseum.org/collection/object/P_1857-0613-336
-BM 1941,1213.536: greys/black with inscription on step (wmk: Hand and Flower) https://www.britishmuseum.org/collection/object/P_1941-1213-536


Later impressions of state ii/ii, printed before the F on Three Mounts Printer:

-BM W,4.16: light green/dark green/black with inscription on step https://www.britishmuseum.org/collection/object/P_W-4-16
-GRI 200.PR.16* (bx.3,f.16): light green/dark green/black with inscription on step http://hdl.handle.net/10020/2000pr16b3f16
-MFA 64.1046: light green/dark green/black with inscription on step https://www.mfa.org/collections/object/the-death-of-ananias-168252
-Achenbach 1963.30.793: light brown/browns/black with inscription on step [before c. 1570s?] https://art.famsf.org/ugo-da-carpi/death-ananias-after-drawing-raphael-tapestry-sistine-chapel-vatican-city-196330793
-Albertina DG2002/293: olives/black with inscription on step [before c. 1570s?] https://www.graphikportal.org/document/gpo00080090/61DB2C5D
-Escorial 28-II.2, fil 21verso: pale olive/light brown/olive/black with inscription on step [before c. 1570s?] https://rbmecat.patrimonionacional.es/cgi-bin/koha/opac-detail.pl?biblionumber=31936&query_desc=kw%2Cwrdl%3A%20ugo%20da%20carpi


Impressions of state ii/ii, printed by the F on Three Mounts Printer (c. final quarter of the 16th century):

-Berlin 281-38: oliy brown/black with inscription on step
-BnF EA 39 resoily brown/sparkly green/black (wmk: Letter F on three mounds in a shield)
-Budapest 6143: oily brown/sparkly green/black with inscription on step (wmk: Letter F on three mounds in a shield) http://printsanddrawings.hu/search/prints/6143/
-Budapest 6142: oily brown/sparkly green/black with inscription on step (wmk: Letter F on three mounds in a shield) http://printsanddrawings.hu/search/prints/6142/
-ENSBA Est Mas 76: oily brown/sparkly green/black with inscription on step (wmk: Letter F on three mounds in a shield) http://www.ensba.fr/ow2/catzarts/voir.xsp?id=00101-19093&qid=sdx_q1&n=11&sf=&e=
-Louvre Rothschild 4388 LR/ Recto: oily brown/black with inscription on step http://arts-graphiques.louvre.fr/detail/oeuvres/7/519485-Ananie-tombant-mort-max
-MFA 21.10824: oily brown/sparkly green/black with inscription on step https://www.mfa.org/collections/object/the-death-of-ananias-109684
-MMA 22.67.41: oily brown/sparkly green/black with inscription on step https://www.metmuseum.org/art/collection/search/632661?
-Rijksmuseum RP-P-OB-31.030: oily brown/black with inscription on step (wmk: Letter F on three mounds in a shield)
-V&A E.1786-1889: oily brown/black with inscription on step (wmk: Letter F on three mounds in a shield) http://collections.vam.ac.uk/item/O931830/the-death-of-ananias-woodcut-carpi-ugo-da/
-Windsor Ruland ,V, 14: oily brown/sparkly green/black with inscription on step
-BM 1895,0122.1234: oily brown/black with inscription on step (wmk: Letter F on three mounds in a shield) https://www.britishmuseum.org/collection/object/P_1895-0122-1234

-Maru vol III, 63: oily brown/black (Possibly Letter F on Three Mounts printer)
-V&A 15895: oily brown/black with inscription on step http://collections.vam.ac.uk/item/O657286/the-death-of-ananias-print-carpi-ugo-da/ (Possibly Letter F on Three Mounts printer)


Later impressions of state ii/ii

-GDSU st. sc. 58: brown/black
-Albertina DS2002/291: yellow/olives/black with inscription on step (but filled in with ink) [after F on Three Mounts impressions] https://www.graphikportal.org/document/gpo00080092
-Ashmolean WA1863.1701: light brown/greens/black with inscription on step [after F on Three Mounts impressions] http://collections.ashmolean.org/object/292097
-Berlin 578-1895: browns/black with inscription on step [after F on Three Mounts impressions]
-Berlin 534-108: browns/olive/black with inscription on step [possibly after F on Three Mounts impressions]
-Berlin 577-1895: light blue/green/black with inscription on step [after F on Three Mounts impressions]
-Berlin 534-108: browns/black with inscriptions on step
-BNE 42261: yellow-brown/red-brown/brown/black [unsure]
-Braunschweig I.XVI.4: light brown/green-brown/black with inscription on step
-ENSBA Est Mas 77: greens/black with inscription on step [after F on Three Mounts impressions] http://www.ensba.fr/ow2/catzarts/voir.xsp?id=00101-19094&qid=sdx_q1&n=12&sf=&e=
-Fogg G7483: yellow/browns/black [after F on Three Mounts impressions] https://www.harvardartmuseums.org/collections/object/273536?q=g7483
-Fogg M9803: browns/black [after F on Three Mounts impressions] https://www.harvardartmuseums.org/collections/object/254249?position=0
-MMA 18.17.3-122: black, darkest block only (wmk: IHS in oval) https://www.metmuseum.org/art/collection/search/399988?
-MMA 22.73.3-15: beige/browns/black with inscription on step [after F on Three Mounts impressions] https://www.metmuseum.org/art/collection/search/399987?
-Munich 184117: yellow-olives/black with inscription on step (but filled in with ink)
-PMA 1985-52-322: olives/black with inscription on step https://www.philamuseum.org/collections/permanent/30011.html?mulR=1938574686|1
-PMA 1985-52-1837: light brown/black with inscription on step https://www.philamuseum.org/collections/permanent/30012.html?mulR=2112685785|2
-PMA 1985-52-321: light brown/black with inscription on step https://www.philamuseum.org/collections/permanent/30015.html?mulR=2112685785|3
-PMA 1985-52-2192: light browns/olive/black with inscription on step https://www.philamuseum.org/collections/permanent/30014.html?mulR=2112685785|4
-PMA 1985-52-20870: browns/olive/black with inscription on step https://www.philamuseum.org/collections/permanent/30016.html?mulR=2112685785|6
-Rijksmuseum RP-P-OB-31.033: olive/browns/black with inscription on step http://hdl.handle.net/10934/RM0001.COLLECT.51248
-Yale 1964.27: light blue/green/black with inscription on step (wmk: small anchor in circle) https://artgallery.yale.edu/collections/objects/8499
-Yale 1964.9.11: beige/darker beige/olive/black with inscription on step https://artgallery.yale.edu/collections/objects/7793


For impressions of state i/ii see ALU.0942.1

DOCUMENTAZIONE FOTOGRAFICA

tipologia: fotografia digitale
ente proprietario: London, British Museum ©
note: Creative Commons

REPERTORI

Bartsch A., Le peintre graveur, Vienne, 1803-1821, v. XII, p. 46, n. 27
Woodward D., Catalogue of watermarks in Italian printed maps, ca. 1540 - 1600, Firenze, 1996, 
p. 191, n. 333

BIBLIOGRAFIA

Vasari G. - Bettarini R./ Barocchi P., Le vite de' più eccellenti pittori scultori e architettori nelle redazioni del 1550 e 1568, Firenze, 1966-1987, v. 5, p. 15
Matile M., Italienische Holzschnitte der Renaissance und des Barock, Basel, 2003, p. 132
, Ugo da Carpi. L'opera incisa. Xilografie e chiaroscuri da Tiziano, Raffaello e Parmigianino, Carpi, 2009, p. 128, n. 19 (Rossi M.)
Gnann A., In Farbe! Clair-obscur-Holzschnitte der Renaissance - Meisterwerke aus der Sammlung Georg Baselitz und der Albertina in Wien, Monaco, 2013, p. 105, nn. 36–37
Stiber Morenus L., "The chiaroscuro woodcut printmaking of Ugo da Carpi, Antonio da Trento and Niccolò Vicentino: technique in relation to artistic style", Printing colour 1400 - 1700, Leiden, 2015, 123-139, pp. 124-130
Takahatake N., The Chiaroscuro Woodcut in Renaissance Italy, Los Angeles, 2018, pp. 86-88 (Stiber Morenus L./ Takahatake N.) 
https://www.thelacmastore.org/products/the-chiaroscuro-woodcut-in-renaissance-italy?_pos=1&_sid=ce2a0cc2a&_ss=r

MOSTRE/ESPOSIZIONI

Chiaroscuro Woodcut in Renaissance Italy Los Angeles County Museum of Art, Los Angeles, CA., June - September 2018 National Gallery of Art, Washington, D.C., October 2018 - January 2019, 2018-2019

AUTORE DELLA SCHEDA

Stiber Morenus L./ Takahatake N., 2020
Stiber Morenus L./ Takahatake N., Atlante delle xilografie italiane del Rinascimento, ALU.0942.2, https://archivi.cini.it/storiaarte/detail/46342/stampa-46342.html
aggiungi ai preferiti Torna all'esito