OBJECT

definition: stampa

SUBJECT

identification: Narciso
: Nude Man Seen from Behind (Narcissus)

ACQUISITION

type of acquisition: donazione
1933

DATE

sec. XVI, secondo quarto
1527 ca. - 1530 ca.

AUTHOR

STATE

stato unico

TECHNICAL DATA

xilografia; chiaroscuro; mm 274 x 176 ca.
medium material: carta

CONSERVATION

buono

MODALITÀ DI CONSERVAZIONE

RESTORATIONS

INSCRIPTIONS











STEMMI, MARCHI

HISTORICAL INFORMATION

Chiaroscuro woodcut from 2 blocks, orange/black, only state

See comment in ALU.0958.1
from
Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018, pp.109-111

Other impressions:

-Harvard G7500: green/black https://hvrd.art/o/279662 ALU.0958.1
-PMA 1985-52-556: light brown/black https://philamuseum.org/collections/permanent/30112.html?mulR=270823916|33
-PMA 1985-52-192: green/black https://philamuseum.org/collections/permanent/30110.html?mulR=1725776924|25
-PMA 1985-52-2131: orange-black https://philamuseum.org/collections/permanent/30109.html?mulR=2121431891|22
-MMA 22.73.3.44: brown/black (wmk large fleur de lys, not in circle) https://www.metmuseum.org/art/collection/search/361903
-MMA 62.635.843a: gray/black (wmk large fleur de lys, not in circle) https://www.metmuseum.org/art/collection/search/631852
-GDSU 15948: orange-rown/black (wmk orb surmounted by cross?)
-Budapest 6260: light olive/black (wmk large fleur de lys, not in circle) http://printsanddrawings.hu/search/prints/6260/
-ENSBA Est Mas 63: liquid brown/black (wmk crown and star in circle)
-V&A E.287-90: liquid brown/black (wmk crown and star in circle)
-V&A 22952: gray-brown/black (wmk crown and star in circle)
-BM 1895,122.1269: light green/gray (wmk crossed arrows with star) https://www.britishmuseum.org/collection/object/P_1895-0122-1269
-BM W,4.78: light brown/black https://www.britishmuseum.org/collection/object/P_W-4-78
-BM W,4.79: brown/black https://www.britishmuseum.org/collection/object/P_W-4-79
-BnF RESERVE EA 26 BOITE FOL: light blue/dark gray
-BnF BD 5 Mazzuoli light brown/black
-Berlin 980-19: orange/ black (worn blocks)
-Berlin 961-19: orange-brown/black
-Blanton 2002.1318: blue-green/gray https://collection.blantonmuseum.org/objects-1/info?query=mfs%20all%20%22antonio%20da%20trento%22&sort=0&page=6
-Braunschweig I.XVI.1: gray-brown
-Chatsworth vol IV, fol 66 no.89: brown/black (early)
-Escorial 28-1-19 fol 106: ocher/black https://rbmecat.patrimonionacional.es/cgi-bin/koha/opac-detail.pl?biblionumber=31870&query_desc=kw%2Cwrdl%3A%20Parmigianino
-Fitzwilliam: olive/black
.Harvard G7501: liquid brown/black https://hvrd.art/o/279242
-Harvard M9913: brown/black (block wear) https://hvrd.art/o/262687
-Harvard M9913: yellow/gray (block wear) https://hvrd.art/o/262687
-Frankfurt 3390: lavender/black
-Library of Congress: light green/black (wmk small anchor in circle) http://loc.gov/pictures/resource/ppmsca.18660/
-Marucelliana XXV, 17: warm gray/gray (worn block)
-Munich 12153: brown/black (early)
-Achenbach 1986.1.330: orange/brown (wormholes) https://art.famsf.org/antonio-da-trento/man-seated-seen-back-after-parmiginianino-19861330
-V&A 29019: brown/black (early)
-MFA 2002.571: light orange-brown/gray (wmk crossed arrows with star) https://collections.mfa.org/objects/354284/nude-man-seen-from-behind?ctx=8e49f90d-4da5-49ae-867d-503fcc31d542&idx=0
-MFA 25.712: pink/black (late) https://collections.mfa.org/objects/96876/nude-man-seen-from-behind?ctx=126ceb5d-0dad-4538-9496-ebc4135f3ca8&idx=0
-MFA M9723: gray/green-black (early) https://collections.mfa.org/objects/94654/nude-man-seen-from-behind?ctx=61990723-4ba9-41df-99c3-2522fb4f8a76&idx=0
-MFA 21.10854: light yellow-brown/black https://collections.mfa.org/objects/94690/nude-man-seen-from-behind?ctx=2e752e63-1c05-49d9-a0c3-4a9240956728&idx=0
-MFA 1975.562: brown/black (breaks and plug in line block) https://collections.mfa.org/objects/173592/nude-man-seen-from-behind?ctx=cdc2fb2c-15c3-417a-90e6-04ee7387865e&idx=0
-MFA 1975.563: brown/ black (late) https://collections.mfa.org/objects/173594/nude-man-seen-from-behind?ctx=9877ec06-19a0-4b2e-a9e8-e54d976a4212&idx=0
-MFA 1975.561: olive/dark green (break above shoulder and in shading below foot) https://collections.mfa.org/objects/173566/nude-man-seen-from-behind?ctx=496275a3-6412-4043-8edb-f36d32ac2bc6&idx=0
-MFA 1984.835: olive-brown/black (breaks; plug in line block) https://collections.mfa.org/objects/269083/nude-man-seen-from-behind?ctx=a4f64de7-1631-4656-8ea2-08d664d65619&idx=0
-Albertina DG2002/536: light brown/black https://sammlungenonline.albertina.at/#/query/6833fe5e-dce5-40d0-9156-94aaff2ee784
-Albertina DG 2002/537: light green/black https://sammlungenonline.albertina.at/#/query/e14a09d5-b7f9-4eb7-8181-96206a869c69
-Albertina DG 2002/538: orange-brown/black (late) https://sammlungenonline.albertina.at/#/query/ea7cb6fd-8047-439d-9da3-d86c6881461d
-Ashmolean WA1863.5601: brown/black https://collections.ashmolean.org/object/746367
-Long Collection, Barryte n. 438: brown/black
-Kirk Edward Long Collection Standford University
L.15.21.2007 http://cantorcollection.stanford.edu/objects-1/info?query=mfs%20all%20%22antonio%20da%20trento%22&page=2
-Albertina Baselitz collection (Gnann, no. 83): light brown/black
-Baselitz collection (Gnann, no. 84): light green/black
-Baselitz collection (Gnann, no. 85): red-brown/black
-Fondation Custodia inv 817
-Fondation Custodia inv 1974-P.26
-Rijksmuseum RP-P-OB-31.136: light blue/black http://hdl.handle.net/10934/RM0001.COLLECT.51676
-Rijksmuseum RP-P-OB-31.137: light green/dark gray http://hdl.handle.net/10934/RM0001.COLLECT.51679
-Rijksmuseum RP-P-OB-31.138: lime/black (late) http://hdl.handle.net/10934/RM0001.COLLECT.51680
-Rijksmuseum RP-P-OB-31.139: brown/black http://hdl.handle.net/10934/RM0001.COLLECT.51682
-Croatian Academy of Sciences and Arts KG HAZU 5953: brown/black

PHOTOGRAPHS

type of material: fotografia digitale
ente proprietario: Philadelphia Museum of Art ©

BIBLIOGRAPHY

Bartsch A., Le peintre graveur, Vienne, 1803-1821, v. XII, p. 148, n. 13

BIBLIOGRAPHY

Popham A.E., "Observations on Parmigianino's designs for Chiaroscuro woodcuts", Miscellanea I. Q. van Regteren Altena, Amsterdam, 1969, pp. 48-51, p. 49
Popham A.E., Catalogue of the drawings of Parmigianino, New Haven, 1971, vol. 1, p. 43, n. 2, vol. 2, tav. 134
Trotter W.H., Chiaroscuro woodcuts of the circles of Raphael and Parmigianino a study in reproductive graphics, The Univ. of North Carolina, 1974, p. 187
Vaccaro M., "Parmigianino and the poetry of drawing", Parmigianino. The drawing, Tornino, 2000, pp. 73-73, p. 63
, Parmigianino. The drawing, Tornino, 2000, p. 208, n. 104 (Di Giampaolo M.)
Franklin D., The art of Parmigianino, New Haven, 2003, p. 214, n. 61
Ekserdjian D., Parmigianino, New Haven, 2006, pp. 171, 222
, Parmigianino. Dessins du Louvre, Parigi/ Milano, 2015, pp. 134–135, n. 46 (Serra R.)
Takahatake N., The Chiaroscuro Woodcut in Renaissance Italy, Los Angeles, 2018, pp. 109-111 (Takahatake N.) 
https://www.thelacmastore.org/products/the-chiaroscuro-woodcut-in-renaissance-italy?_pos=1&_sid=ce2a0cc2a&_ss=r

MOSTRE/ESPOSIZIONI

ENTRY'S AUTHOR

Takahatake N., 2020
Takahatake N., Atlante delle xilografie italiane del Rinascimento, ALU.0958.2, https://archivi.cini.it/storiaarte/detail/46962/stampa-46962.html
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