definizione: stampa

identificazione: Suonatore di liuto

titolo parallelo: Lute Player

Washington D.C., National Museum of American History

sec. XVI, secondo quarto

1527 ca. - 1530 ca.

• Mazzola Francesco detto il Parmigianino (1503 -1540) (inventore)

  vedi scheda autore

• Antonio da Trento (1510 ca./ 1550) (incisore)

  vedi scheda autore

primo stato

xilografia; chiaroscuro; mm 142 x 138 ca., ; mm 170 x 160 ca.

materia del supporto: carta

buono

Chiaroscuro woodcut from 2 blocks, light brown/black, i state

state i/ii: before “AT” cut in tone block in border below image
state ii/ii: with “AT” cut in tone block below image

See comment in ALU.0959.1
from
Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018, pp. 106-108.

Other impressions of Lute Player:

-BM 1874,0808.206: green/black https://www.britishmuseum.org/collection/object/P_1874-0808-206
-BM W,4.107: red/black (break in foot) https://www.britishmuseum.org/collection/object/P_W-4-107
-BM 1904,0226.20: ocher/black (break in foot) https://www.britishmuseum.org/collection/object/P_1904-0226-20
-BM 1859,0709.2380: olive/black (break in foot) https://www.britishmuseum.org/collection/object/P_1859-0709-2380
-Berlin 974-19: line block only
-Berlin 973-19: olive/brown (late)
-Berlin 972-19: olive (late)
-Berlin 458-22: light green (worn)
-BNE 41175: olive/black http://catalogo.bne.es/uhtbin/cgisirsi/?ps=fq9m9Ew6Ej/BNMADRID/248800897/9
-BNF BD 5A: red/black (break in foot)
-Braunschweig I.XVI.WB2: brown/black
-Braunschweig I.XVI.WB3: light brown/black
-Budapest 6258: gray/black http://printsanddrawings.hu/search/prints/6258/
-Budapest 6259: brownblack http://printsanddrawings.hu/search/prints/6259/
-Chatsworth vol IV, fol. 112, no 158: olive/gray (break in foot)
-ENSBA Est Mas 109: lime/black (plug in foot)
-Escorial 28-1-19 fol 105 (1): brown/black (muddy) https://rbmecat.patrimonionacional.es/cgi-bin/koha/opac-detail.pl?biblionumber=31867&query_desc=kw%2Cwrdl%3A%20Parmigianino
-Harvard M9912: red/black (break in foot) https://hvrd.art/o/262126
-Frankfurt 34817: green/black (break in foot)
-Marucelliana XXV, 15: red/black (break in foot)
-Marucelliana XXV, 73: light brown/black
-MFA 1975.560: light brown/black (plug in foot) https://collections.mfa.org/objects/173561/the-lute-player?ctx=162796e7-626a-49df-a2fc-ab5ac4bc2b51&idx=0
-MFA 2002.572: olive/gray (break in foot) https://collections.mfa.org/objects/354689/the-lute-player?ctx=7b692303-3a2c-4b27-8b7e-1699ddfefcff&idx=0
-MFA 21.10833: lime/black (plug in foot) https://collections.mfa.org/objects/96873/the-lute-player?ctx=2f25c462-0876-4bd7-88eb-ae928f7e513d&idx=0
-MMA 22.73.3.160: fark green https://www.metmuseum.org/art/collection/search/631843
-MMA 22.73.3-55: light olive/black https://www.metmuseum.org/art/collection/search/631842
-MMA 22.67.74: yellow/beige (wormholes) https://www.metmuseum.org/art/collection/search/631834
-GDSU 88 St Sc: warm gray (wormholes)
-Albertina DG2002/498: gray/black https://sammlungenonline.albertina.at/?query=search=/record/objectnumbersearch=[DG2002%2f498]&showtype=record
-Albertina: light green/black (late)
-Albertina DG2002/497: lime-olive/black (late) https://sammlungenonline.albertina.at/?query=search=/record/objectnumbersearch=[DG2002%2f497]&showtype=record
-Albertina HB 33 2 337: brown-olive/black
-Albertina DG2002/496: red-brown/black https://sammlungenonline.albertina.at/?query=search=/record/objectnumbersearch=[DG2002%2f496]&showtype=record
-Ashmolean WA1918.11: olive/black https://collections.ashmolean.org/object/746378
-Graphische Sammlung ETH Zürich
-ETH D.55: gray/black (late) https://doi.org/10.16903/ethz-grs-D_000055
-Achenbach 1986.1.331: purple-brown/black https://art.famsf.org/antonio-da-trento/lute-player-after-parmigianino-19861331
-Albertina Baselitz (Gnann no. 83): brown-green/black (loss in the foot)
-Baselitz (Gnann no. 84):light green/black
-Fondation Custodia inv 4941
-Long Collection L.15.297.2007 (Barryte 435): gray/black http://cantorcollection.stanford.edu/objects-1/info?query=mfs%20all%20%22antonio%20da%20trento%22&page=12
-Rijksmuseum RP-P-OB-31.651: olive/black http://hdl.handle.net/10934/RM0001.COLLECT.51674

tipologia: fotografia digitale

ente proprietario: National Museum of American History ©

Bartsch A., Le peintre graveur, Vienne, 1803-1821, v. XII, p. 143, n. 3

Popham A.E., "Observations on Parmigianino's designs for Chiaroscuro woodcuts", Miscellanea I. Q. van Regteren Altena, Amsterdam, 1969, pp. 48-51, p. 49

Popham A.E., Catalogue of the drawings of Parmigianino, New Haven, 1971, vol. 1, pp. 13, 45–46

, Chiaroscuro woodcuts from the Frits Lugt Collection in Paris, Tokyo, 2005, nn. 18a–b, p. 43 (Hinterding E.)

Stiber Morenus L., "The chiaroscuro woodcut printmaking of Ugo da Carpi, Antonio da Trento and Niccolò Vicentino: technique in relation to artistic style", Printing colour 1400 - 1700, Leiden, 2015, 123-139, pp. 124–30

Takahatake N., The Chiaroscuro Woodcut in Renaissance Italy, Los Angeles, 2018, pp. 106-108 (Stiber Morenus L.), p. 107, n. 28 
https://www.thelacmastore.org/products/the-chiaroscuro-woodcut-in-renaissance-italy?_pos=1&_sid=ce2a0cc2a&_ss=r

Chiaroscuro Woodcut in Renaissance Italy Los Angeles County Museum of Art, Los Angeles, CA., June - September 2018 National Gallery of Art, Washington, D.C., October 2018 - January 2019, 2018-2019

Stiber Morenus L., 2020

Stiber Morenus L., Atlante delle xilografie italiane del Rinascimento, ALU.0960.1, https://archivi.cini.it/storiaarte/detail/47003/stampa-47003.html, ISBN 978-88-96445-24-2