OGGETTO

definizione: stampa

SOGGETTO

identificazione: Suonatore di liuto
titolo parallelo: Lute Player

PROVENIENZA

DATAZIONE

sec. XVI, secondo quarto
1527 ca. - 1530 ca.

AUTORE

STATO DELLA STAMPA

primo stato

DATI TECNICI

xilografia; chiaroscuro; mm 142 x 138 ca., ; mm 170 x 160 ca.
materia del supporto: carta

STATO DI CONSERVAZIONE

buono

MODALITÀ DI CONSERVAZIONE

RESTAURI

ISCRIZIONI











STEMMI, MARCHI

NOTIZIE STORICO-CRITICHE

Chiaroscuro woodcut from 2 blocks, light brown/black, i state

state i/ii: before “AT” cut in tone block in border below image
state ii/ii: with “AT” cut in tone block below image

See comment in ALU.0959.1
from
Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018, pp. 106-108.

Other impressions of Lute Player:

-BM 1874,0808.206: green/black https://www.britishmuseum.org/collection/object/P_1874-0808-206
-BM W,4.107: red/black (break in foot) https://www.britishmuseum.org/collection/object/P_W-4-107
-BM 1904,0226.20: ocher/black (break in foot) https://www.britishmuseum.org/collection/object/P_1904-0226-20
-BM 1859,0709.2380: olive/black (break in foot) https://www.britishmuseum.org/collection/object/P_1859-0709-2380
-Berlin 974-19: line block only
-Berlin 973-19: olive/brown (late)
-Berlin 972-19: olive (late)
-Berlin 458-22: light green (worn)
-BNE 41175: olive/black http://catalogo.bne.es/uhtbin/cgisirsi/?ps=fq9m9Ew6Ej/BNMADRID/248800897/9
-BNF BD 5A: red/black (break in foot)
-Braunschweig I.XVI.WB2: brown/black
-Braunschweig I.XVI.WB3: light brown/black
-Budapest 6258: gray/black http://printsanddrawings.hu/search/prints/6258/
-Budapest 6259: brownblack http://printsanddrawings.hu/search/prints/6259/
-Chatsworth vol IV, fol. 112, no 158: olive/gray (break in foot)
-ENSBA Est Mas 109: lime/black (plug in foot)
-Escorial 28-1-19 fol 105 (1): brown/black (muddy) https://rbmecat.patrimonionacional.es/cgi-bin/koha/opac-detail.pl?biblionumber=31867&query_desc=kw%2Cwrdl%3A%20Parmigianino
-Harvard M9912: red/black (break in foot) https://hvrd.art/o/262126
-Frankfurt 34817: green/black (break in foot)
-Marucelliana XXV, 15: red/black (break in foot)
-Marucelliana XXV, 73: light brown/black
-MFA 1975.560: light brown/black (plug in foot) https://collections.mfa.org/objects/173561/the-lute-player?ctx=162796e7-626a-49df-a2fc-ab5ac4bc2b51&idx=0
-MFA 2002.572: olive/gray (break in foot) https://collections.mfa.org/objects/354689/the-lute-player?ctx=7b692303-3a2c-4b27-8b7e-1699ddfefcff&idx=0
-MFA 21.10833: lime/black (plug in foot) https://collections.mfa.org/objects/96873/the-lute-player?ctx=2f25c462-0876-4bd7-88eb-ae928f7e513d&idx=0
-MMA 22.73.3.160: fark green https://www.metmuseum.org/art/collection/search/631843
-MMA 22.73.3-55: light olive/black https://www.metmuseum.org/art/collection/search/631842
-MMA 22.67.74: yellow/beige (wormholes) https://www.metmuseum.org/art/collection/search/631834
-GDSU 88 St Sc: warm gray (wormholes)
-Albertina DG2002/498: gray/black https://sammlungenonline.albertina.at/?query=search=/record/objectnumbersearch=[DG2002%2f498]&showtype=record
-Albertina: light green/black (late)
-Albertina DG2002/497: lime-olive/black (late) https://sammlungenonline.albertina.at/?query=search=/record/objectnumbersearch=[DG2002%2f497]&showtype=record
-Albertina HB 33 2 337: brown-olive/black
-Albertina DG2002/496: red-brown/black https://sammlungenonline.albertina.at/?query=search=/record/objectnumbersearch=[DG2002%2f496]&showtype=record
-Ashmolean WA1918.11: olive/black https://collections.ashmolean.org/object/746378
-Graphische Sammlung ETH Zürich
-ETH D.55: gray/black (late) https://doi.org/10.16903/ethz-grs-D_000055
-Achenbach 1986.1.331: purple-brown/black https://art.famsf.org/antonio-da-trento/lute-player-after-parmigianino-19861331
-Albertina Baselitz (Gnann no. 83): brown-green/black (loss in the foot)
-Baselitz (Gnann no. 84):light green/black
-Fondation Custodia inv 4941
-Long Collection L.15.297.2007 (Barryte 435): gray/black http://cantorcollection.stanford.edu/objects-1/info?query=mfs%20all%20%22antonio%20da%20trento%22&page=12
-Rijksmuseum RP-P-OB-31.651: olive/black http://hdl.handle.net/10934/RM0001.COLLECT.51674

DOCUMENTAZIONE FOTOGRAFICA

tipologia: fotografia digitale
ente proprietario: National Museum of American History ©

REPERTORI

Bartsch A. , Vienne, 1803-1821 , v. XII, p. 143, n. 3

BIBLIOGRAFIA

Popham A.E. , Amsterdam, 1969 , p. 49
Popham A.E. , New Haven, 1971 , vol. 1, pp. 13, 45–46
, Tokyo, 2005 , nn. 18a–b, p. 43 (Hinterding E.)
Stiber Morenus L. , Leiden, 2015 , pp. 124–30
Takahatake N. , Los Angeles, 2018 , pp. 106-108 (Stiber Morenus L.), p. 107, n. 28

MOSTRE/ESPOSIZIONI

Chiaroscuro Woodcut in Renaissance Italy Los Angeles County Museum of Art, Los Angeles, CA., June - September 2018 National Gallery of Art, Washington, D.C., October 2018 - January 2019, 2018-2019

AUTORE DELLA SCHEDA

Stiber Morenus L., 2020
Stiber Morenus L., Atlante delle xilografie italiane del Rinascimento, ALU.0960.1, https://archivi.cini.it/storiaarte/detail/47003/stampa-47003.html