HISTORICAL INFORMATION
Chiaroscuro woodcut from 3 blocks, state ii
State i/ii: original light tone block (with different window and landscape)
State ii/ii: light tone block replaced
See comment in ALU.1009.1
from
Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018, pp. 174-175.
Other impressions:
-Albertina DG2002/391 https://sammlungenonline.albertina.at/m/?query=search=/record/objectnumbersearch=[DG2002%2f391]&showtype=record
-BM 1874,0808.188: light brown/gray/black (wmk: possibly flowering fleur de lys) https://www.britishmuseum.org/collection/object/P_1874-0808-188
-Chatsworth vol. IV, fol. 35, no. 52: gray/blue/black (wmk: Medici arms)
-GDSU 123200 st. sc.: light brown/gray/black
-V&A 29893c: green-gray/gray/black https://collections.vam.ac.uk/item/O949085/print/
-Windsor 830788: light brown/gray/black https://www.rct.uk/collection/search#/1/collection/830788/st-philip
BIBLIOGRAPHY
, Domenico Beccafumi e il suo tempo, Milano, 1990, p. 501, nn. 172–73 (De Marchi A.)
Landau D., "Beccafumi. Review of Domenico Beccafumi e il suo tempo",
Print quarterly, 1991, pp. 450-451, p. 451
, Chiaroscuro woodcuts from the Frits Lugt Collection in Paris, Tokyo, 2005, pp. 54–55 (Hinterding E.)
Gnann A.,
In Farbe! Clair-obscur-Holzschnitte der Renaissance - Meisterwerke aus der Sammlung Georg Baselitz und der Albertina in Wien, Monaco, 2013, p. 252, nn. 123–24