definizione: stampa

identificazione: San Filippo

titolo parallelo: Saint Philip

Washington D.C., Library of Congress, Prints and Photographs Division

sec. XVI, secondo quarto

1540 ca. - 1549 ca.

• Beccafumi Domenico (1484-1486/ 1551) (incisore/ inventore)

  vedi scheda autore

xilografia; chiaroscuro; mm 397 x 216 ca.

materia del supporto: carta

filigrana: presente: flowering fleur de lys in a circle surmounted by a star

buono

Chiaroscuro woodcut from 3 blocks, light red/medium red/black

See comment in ALU.1011.1
from
Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018, pp. 179-183.

Other impressions:

-Albertina DG2002/384: https://sammlungenonline.albertina.at/m?queryid=93ba23cf-68a8-451e-aa99-621a4a3d7d44
-Albertina DG2002/385: grays/black https://sammlungenonline.albertina.at/m?queryid=00503e5f-623e-4825-8479-016348705ded
-Albertina DG2013/17: red-browns/black
https://sammlungenonline.albertina.at/m?queryid=2ff7fa0f-a354-47f5-ac3e-86638e118070
-Berlin 522-1895: grays (wmk: crossed arrows)
-BM 1860,0414.97: blues https://www.britishmuseum.org/collection/object/P_1860-0414-97
-BnF Réserve EA 26 boite fol: light red/medium red/black
-BnF Réserve EA 26 boite fol: gray-blue/blue/black
-Chatsowrth vol. IV, fol. 31, no. 46 (wmk: crossed arrows)
-Pinacoteca di Bologna: light red/medium red/black
-GDSU 66 st. sc.: dark blues/black
-GDSU 67 st. sc.: grey/blue-grey/dark blue
-GDSU 67 bis st. sc.: grey/blue-grey/dark blue
-Marucelliana vol. 25, no. 8: gray/blue/black
-Munich 69441: blues/gray
-Rothschild 4397 LR: grays/black (wmk: flowering fleur de lys) http://arts-graphiques.louvre.fr/detail/oeuvres/1/519494-Saint-Philippe
-Rijksmuseum RP-P-1966-495: light red/medium red/black (wmk: flowering fleur de lys)
-V&A 29893a: light gray/blue-gray/dark blue http://hdl.handle.net/10934/RM0001.COLLECT.50186

One-block variant in black:

-MFA 1975.477 https://collections.mfa.org/objects/173350/st-philip?ctx=8680d000-bc8e-4d04-b480-93bb6315edb7&idx=22
-Albertina DG2002/386 https://sammlungenonline.albertina.at/m?queryid=d7b0fc0c-6d1e-41d4-ba23-5daa94655241
-BM1860.0414.98 https://www.britishmuseum.org/collection/object/P_1860-0414-98
-MMA 30.54.5 https://www.metmuseum.org/art/collection/search/356584?searchField=All&sortBy=Relevance&ft=30.54.5&offset=0&rpp=20&pos=1
Siena, Pinacoteca Nazionale, cat. 110

tipologia: fotografia digitale

ente proprietario: Washington, Library of Congress ©

Bartsch A., Le peintre graveur, Vienne, 1803-1821, v. XII, p. 72, n. 13

Gordley B.P., The drawings of Beccafumi, 1988, Princeton, p. 270

, Domenico Beccafumi e il suo tempo, Milano, 1990, p. 495, n. 167 (De Marchi A.)

Lincoln E., The invention of the Italian Renaissance printmaker, 2010, pp. 106-107

Gnann A., In Farbe! Clair-obscur-Holzschnitte der Renaissance - Meisterwerke aus der Sammlung Georg Baselitz und der Albertina in Wien, Monaco, 2013, pp. 244–246, nn. 116–120

Takahatake N., The Chiaroscuro Woodcut in Renaissance Italy, Los Angeles, 2018, pp. 179-183 (Takahatake N.), p. 182, n. 74 
https://www.thelacmastore.org/products/the-chiaroscuro-woodcut-in-renaissance-italy?_pos=1&_sid=ce2a0cc2a&_ss=r

Chiaroscuro Woodcut in Renaissance Italy Los Angeles County Museum of Art, Los Angeles, CA., June - September 2018 National Gallery of Art, Washington, D.C., October 2018 - January 2019, 2018-2019

Takahatake N., 2020

Takahatake N., Atlante delle xilografie italiane del Rinascimento, ALU.1013.1, https://archivi.cini.it/storiaarte/detail/47489/stampa-47489.html