OBJECT
definition: stampa
SUBJECT
identification: QUATTRO DOTTORI DELLA CHIESA
: Four Doctors (Four evangelists)
title: Quattro evangelisti
LOCATION
New York, Metropolitan Museum of Art, Department of Drawings and Prints (Rogers Fund, 1922)
PROVENANCE
DATE
sec. XVI, secondo quarto
1540 ca. - 1549 ca.
AUTHOR
STATE
secondo stato
CONSERVATION
buono
MODALITÀ DI CONSERVAZIONE
RESTORATIONS
INSCRIPTIONS
STEMMI, MARCHI
HISTORICAL INFORMATION
Chiaroscuro woodcut from 2 blocks, olive/black, ii state
state i/ii: line block more extensively cut
state ii/ii: line block cut back; tone block replaced
See comment in ALU.1019.1
from
Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018, pp. 172-173.
Other impressions:
-Rijksmuseum 30.959: warm gray/black http://hdl.handle.net/10934/RM0001.COLLECT.50187
-MMA 64.670.35: gray/black https://www.metmuseum.org/art/collection/search/369042
-EnSBA Est Mas 825: warm gray/black (wmk: siren in circle)
-BM 1857,0613.337: warm gray/dark gray (wmk: fleur de lys?) https://www.britishmuseum.org/collection/object/P_1857-0613-337
-Berlin 970-301: warm gray/dark gray (wmk: flowering fleur de lys)
-Library of Congress: olive/black (wmk: flowering fleur de lys) FP - XVI - B388, no. 48 (A size) https://lccn.loc.gov/2008675418
-MFA P1649: olive/black https://collections.mfa.org/objects/126965/the-four-doctors-of-the-church?ctx=8b01c4cc-2c40-40eb-a69c-01db8bb3eeae&idx=2
-MFA 1975.482: gray/black https://collections.mfa.org/objects/173386/the-four-doctors-of-the-church?ctx=74861896-178a-4dec-bcf4-28d50c30e092&idx=26
-MFA 21.10808: olive/black https://collections.mfa.org/objects/126952/the-four-doctors-of-the-church?ctx=8b01c4cc-2c40-40eb-a69c-01db8bb3eeae&idx=1
-Harvard M9785: gray/black https://digitalcollections.library.harvard.edu/catalog/HUAM258981_urn-3:HUAM:INV170743_dynmc
-BM 1884,0726.10: olive/black https://www.britishmuseum.org/collection/object/P_1884-0726-10
-BM 1895,0122.1277: warm gray/dark gray https://www.britishmuseum.org/collection/object/P_1895-0122-1277
-Baselitz collection (Gnann, n. 125): olive/black
Variant from line block only in black:
-Berlin 969-301 (wmk: angel in profile in oval, w 6-pointed star/flower above)
-EnSBA Est Mas 830
-GDSU 76 St. Sc., with washes
state i/ii: line block more extensively cut
state ii/ii: line block cut back; tone block replaced
See comment in ALU.1019.1
from
Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018, pp. 172-173.
Other impressions:
-Rijksmuseum 30.959: warm gray/black http://hdl.handle.net/10934/RM0001.COLLECT.50187
-MMA 64.670.35: gray/black https://www.metmuseum.org/art/collection/search/369042
-EnSBA Est Mas 825: warm gray/black (wmk: siren in circle)
-BM 1857,0613.337: warm gray/dark gray (wmk: fleur de lys?) https://www.britishmuseum.org/collection/object/P_1857-0613-337
-Berlin 970-301: warm gray/dark gray (wmk: flowering fleur de lys)
-Library of Congress: olive/black (wmk: flowering fleur de lys) FP - XVI - B388, no. 48 (A size) https://lccn.loc.gov/2008675418
-MFA P1649: olive/black https://collections.mfa.org/objects/126965/the-four-doctors-of-the-church?ctx=8b01c4cc-2c40-40eb-a69c-01db8bb3eeae&idx=2
-MFA 1975.482: gray/black https://collections.mfa.org/objects/173386/the-four-doctors-of-the-church?ctx=74861896-178a-4dec-bcf4-28d50c30e092&idx=26
-MFA 21.10808: olive/black https://collections.mfa.org/objects/126952/the-four-doctors-of-the-church?ctx=8b01c4cc-2c40-40eb-a69c-01db8bb3eeae&idx=1
-Harvard M9785: gray/black https://digitalcollections.library.harvard.edu/catalog/HUAM258981_urn-3:HUAM:INV170743_dynmc
-BM 1884,0726.10: olive/black https://www.britishmuseum.org/collection/object/P_1884-0726-10
-BM 1895,0122.1277: warm gray/dark gray https://www.britishmuseum.org/collection/object/P_1895-0122-1277
-Baselitz collection (Gnann, n. 125): olive/black
Variant from line block only in black:
-Berlin 969-301 (wmk: angel in profile in oval, w 6-pointed star/flower above)
-EnSBA Est Mas 830
-GDSU 76 St. Sc., with washes
PHOTOGRAPHS
type of material: fotografia digitale
ente proprietario: New York, Metropolitan Museum of Art ©
BIBLIOGRAPHY
BIBLIOGRAPHY
Servolini L., La xilografia a chiaroscuro italiana nei secoli XVI, XVII e XVIII, Lecco, 1930, p. 77
Gordley B.P., The drawings of Beccafumi, 1988, Princeton, p. 265
, Domenico Beccafumi e il suo tempo, Milano, 1990, pp. 490–493, nn. 159-161 (De Marchi A.)
, Domenico Beccafumi e il suo tempo, Milano, 1990, p. 491, n. 159 (Dillon G.V.)
Landau D./ Parshall P., The Renaissance Print 1470-1550, New Haven-London, 1994, p. 274
, Chiaroscuro woodcuts from the Frits Lugt Collection in Paris, Tokyo, 2005, p. 54, n. 36 (Hinterding E.)
Gnann A., In Farbe! Clair-obscur-Holzschnitte der Renaissance - Meisterwerke aus der Sammlung Georg Baselitz und der Albertina in Wien, Monaco, 2013, p. 256, n. 125
Takahatake N./ Bialler N., "Chiaroscuro in Renaissance, review of In Farbe! Clair-obscur-Holzschnitte der Renaissance by A. Gnann", Print quarterly, 2015, pp. 454-462, pp. 457–58
Takahatake N., The Chiaroscuro Woodcut in Renaissance Italy, Los Angeles, 2018, pp. 172-173 (Takahatake N.), p. 172, n. 68
https://www.thelacmastore.org/products/the-chiaroscuro-woodcut-in-renaissance-italy?_pos=1&_sid=ce2a0cc2a&_ss=r
https://www.thelacmastore.org/products/the-chiaroscuro-woodcut-in-renaissance-italy?_pos=1&_sid=ce2a0cc2a&_ss=r
MOSTRE/ESPOSIZIONI
Chiaroscuro Woodcut in Renaissance Italy
Los Angeles County Museum of Art, Los Angeles, CA., June - September 2018 National Gallery of Art, Washington, D.C., October 2018 - January 2019, 2018-2019
ENTRY'S AUTHOR
Takahatake N., 2020
Takahatake N., Atlante delle xilografie italiane del Rinascimento, ALU.1019.2, https://archivi.cini.it/storiaarte/detail/47697/stampa-47697.html
