OGGETTO

definizione: stampa

SOGGETTO

identificazione: SAN GIOVANNI BATTISTA
titolo parallelo: Saint John the Baptist

LOCALIZZAZIONE

New York, Metropolitan Museum of Art, Department of Drawings and Prints (Rogers Fund, 1918)

PROVENIENZA

DATAZIONE

sec. XVI, secondo quarto
1527 ca. - 1530 ca.

AUTORE

STATO DELLA STAMPA

terzo stato

DATI TECNICI

xilografia; chiaroscuro; mm 112 x 113 ca.
materia del supporto: carta

STATO DI CONSERVAZIONE

buono

MODALITÀ DI CONSERVAZIONE

RESTAURI

ISCRIZIONI











STEMMI, MARCHI

NOTIZIE STORICO-CRITICHE

Chiaroscuro woodcut from 2 blocks, light brown/black (but trimmed), iii state

State i/iii: with a tone block with linear, hatched and cross hatched reserves
State ii/iii: tone block replaced; line block cut back above John's halo, neck, collarbone, chest, and proper left knee
State iii/iii: two, short vertical strokes in the line block in John's proper left calf removed

See comment in ALU.0959.1
See the list of known impressions in ALU.0959.2
from
Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018, pp. 106-108.

DOCUMENTAZIONE FOTOGRAFICA

tipologia: fotografia digitale
ente proprietario: New York, Metropolitan Museum of Art ©
note: Public Domain

REPERTORI

Bartsch A., Le peintre graveur, Vienne, 1803-1821, v. XII, p. 73, n. 17

BIBLIOGRAFIA

Popham A.E., "Observations on Parmigianino's designs for Chiaroscuro woodcuts", Miscellanea I. Q. van Regteren Altena, Amsterdam, 1969, pp. 48-51, p. 49
Popham A.E., Catalogue of the drawings of Parmigianino, New Haven, 1971, vol. 1, pp. 13, 45–46
, Chiaroscuro woodcuts from the Frits Lugt Collection in Paris, Tokyo, 2005, nn. 18a–b, p. 43 (Hinterding E.)
Stiber Morenus L., "The chiaroscuro woodcut printmaking of Ugo da Carpi, Antonio da Trento and Niccolò Vicentino: technique in relation to artistic style", Printing colour 1400 - 1700, Leiden, 2015, 123-139, pp. 124–30
Takahatake N., The Chiaroscuro Woodcut in Renaissance Italy, Los Angeles, 2018, pp. 106-108 (Stiber Morenus L.), p. 107, cat 27 
https://www.thelacmastore.org/products/the-chiaroscuro-woodcut-in-renaissance-italy?_pos=1&_sid=ce2a0cc2a&_ss=r

MOSTRE/ESPOSIZIONI

Chiaroscuro Woodcut in Renaissance Italy Los Angeles County Museum of Art, Los Angeles, CA., June - September 2018 National Gallery of Art, Washington, D.C., October 2018 - January 2019, 2018-2019

AUTORE DELLA SCHEDA

Stiber Morenus L., 2020
Stiber Morenus L., Atlante delle xilografie italiane del Rinascimento, ALU.0959.3, http://192.168.3.88:8180/cini-web/storiaarte/detail/47734/stampa-47734;JSESSIONID_OPAC_CINI=149EE1FB3F46A95AC75CEEF4B983B84E.html