NOTIZIE STORICO-CRITICHE
Chiaroscuro woodcut from 2 blocks, light brown/black (but trimmed), iii state
State i/iii: with a tone block with linear, hatched and cross hatched reserves
State ii/iii: tone block replaced; line block cut back above John's halo, neck, collarbone, chest, and proper left knee
State iii/iii: two, short vertical strokes in the line block in John's proper left calf removed
See comment in ALU.0959.1
See the list of known impressions in ALU.0959.2
from
Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018, pp. 106-108.
BIBLIOGRAFIA
Popham A.E., "Observations on Parmigianino's designs for Chiaroscuro woodcuts",
Miscellanea I. Q. van Regteren Altena, Amsterdam, 1969, pp. 48-51, p. 49
Popham A.E.,
Catalogue of the drawings of Parmigianino, New Haven, 1971, vol. 1, pp. 13, 45–46
, Chiaroscuro woodcuts from the Frits Lugt Collection in Paris, Tokyo, 2005, nn. 18a–b, p. 43 (Hinterding E.)
Stiber Morenus L., "The chiaroscuro woodcut printmaking of Ugo da Carpi, Antonio da Trento and Niccolò Vicentino: technique in relation to artistic style",
Printing colour 1400 - 1700, Leiden, 2015, 123-139, pp. 124–30