HISTORICAL INFORMATION
Chiaroscuro woodcut from 3 blocks, verdigris greens/black
See comment in ALU.0964.1
from
Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018,pp. 146-147.
Other impressions issued by the Vicentino workshop:
-BM W,4.62 : olive/ brown/black https://www.britishmuseum.org/collection/object/P_W-4-62
-PMA 1985-52-2102: reds/black
-BnF BD 5 Mazzuoli verdigris/black
-Uffizi 86 st. sc: verdgris/black
BIBLIOGRAPHY
Mariette P.J.,
Abecedario de P. J. Mariette et autres notes inédites de cet amateur sur les arts et les artistes, Paris, 1853-1860, v. 3, p. 304
Copertini G.,
Il Parmigianino, Parma, 1932, v. 2, p. 47, n. 7
Popham A.E.,
Catalogue of the drawings of Parmigianino, New Haven, 1971, v. 1, pp. 16, 71, 156–57, nn. 96, 468–71, 473–74
Gnann A.,
Parmigianino. Die Zeichnungen, Petersberg, 2007, v. 1, p. 174, 194, 337 n. 774
Gnann A.,
In Farbe! Clair-obscur-Holzschnitte der Renaissance - Meisterwerke aus der Sammlung Georg Baselitz und der Albertina in Wien, Monaco, 2013, p. 154, nn. 62–70
, Parmigianino. Dessins du Louvre, Parigi/ Milano, 2015, p. 126, nn. 40–43 (Serra R.)
Stiber Morenus L., "The chiaroscuro woodcut printmaking of Ugo da Carpi, Antonio da Trento and Niccolò Vicentino: technique in relation to artistic style",
Printing colour 1400 - 1700, Leiden, 2015, 123-139, pp. 130–139