OBJECT

definition: stampa

SUBJECT

identification: Apostoli: San Filippo
: Saint Philip

LOCATION

Londra, British Museum, Prints and Drawings

ACQUISITION

type of acquisition: donazione
first name: Morgan H.R.
1945

DATE

sec. XVI, secondo quarto
1540 ca. - 1549 ca.

AUTHOR

EDITORI/STAMPATORI

Niccolò Vicentino, 1510 ca./ post 1566 (bottega)
Veneto

TECHNICAL DATA

xilografia; chiaroscuro; mm 151 x 105 ca.
medium material: carta

CONSERVATION

buono

MODALITÀ DI CONSERVAZIONE

RESTORATIONS

INSCRIPTIONS











STEMMI, MARCHI

HISTORICAL INFORMATION

Chiaroscuro woodcut from 3 blocks, umber/brown/black

See comment in ALU.0964.1
from
Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018,pp. 146-147.


Other impressions issued by the Vicentino workshop:

-BM W,4.61: olive, brown/black https://www.britishmuseum.org/collection/object/P_W-4-61
-Berlin 909-19: lavender/purple/black
-BnF BD 5 Mazzuoli: gray-brown/brown/black
-BnF BD 5 Mazzuoli: verdigris
-MFA 64.1053: verdigris https://collections.mfa.org/objects/168294/st-philip
-MFA 64.1054: light brown/brown/black (possibly Ladder in a Shield impression) https://collections.mfa.org/objects/167740/st-philip
-Albertina: light brown/brown/black (possibly Ladder in a Shield impression)
-Albertina DG 2002/460: reds/black https://sammlungenonline.albertina.at/m?queryid=996beb9e-65db-4c7a-b29a-18cad42fceaa
-Albertina DG 2002/462: browns/black https://sammlungenonline.albertina.at/m?queryid=8fba903f-405c-4573-81ea-b44a10e62df5
-Rijksmuseum RP-P-OB-31.214: mustard/brown/black http://hdl.handle.net/10934/RM0001.COLLECT.52082
-Rijksmuseum RP-P-OB-31.215: umber/brown/black http://hdl.handle.net/10934/RM0001.COLLECT.52088

Impressions issued by the the Ladder in a Shield Printer in light brown/brown/black:

-BnF Réserve EA 39

PHOTOGRAPHS

type of material: fotografia digitale
ente proprietario: London, British Museum ©
notes: Creative Commons

BIBLIOGRAPHY

Bartsch A., Le peintre graveur, Vienne, 1803-1821, v. XII, p. 70, n. 5
Kolloff E., "Antonio da Trento", Allgemeines Kűnstler-Lexiikon, 1878, v. 2, p. 152, nn. 7–19
Vasari G. - Bettarini R./ Barocchi P., Le vite de' più eccellenti pittori scultori e architettori nelle redazioni del 1550 e 1568, Firenze, 1966-1987, v. 5, p. 12

BIBLIOGRAPHY

Mariette P.J., Abecedario de P. J. Mariette et autres notes inédites de cet amateur sur les arts et les artistes, Paris, 1853-1860, v. 3, p. 304
Copertini G., Il Parmigianino, Parma, 1932, v. 2, p. 47, n. 7
Popham A.E., Catalogue of the drawings of Parmigianino, New Haven, 1971, v. 1, pp. 16, 71, 156–57, nn. 96, 468–71, 473–74
Ekserdjian D., Parmigianino, New Haven, 2006, pp. 235–236
Gnann A., Parmigianino. Die Zeichnungen, Petersberg, 2007, v. 1, p. 174, 194, 337 n. 774
Gnann A., In Farbe! Clair-obscur-Holzschnitte der Renaissance - Meisterwerke aus der Sammlung Georg Baselitz und der Albertina in Wien, Monaco, 2013, p. 154, nn. 62–70
, Parmigianino. Dessins du Louvre, Parigi/ Milano, 2015, p. 126, nn. 40–43 (Serra R.)
Stiber Morenus L., "The chiaroscuro woodcut printmaking of Ugo da Carpi, Antonio da Trento and Niccolò Vicentino: technique in relation to artistic style", Printing colour 1400 - 1700, Leiden, 2015, 123-139, pp. 130–139
Takahatake N., The Chiaroscuro Woodcut in Renaissance Italy, Los Angeles, 2018, pp. 146-147 (Stiber Morenus L./ Takahatake N.) 
https://www.thelacmastore.org/products/the-chiaroscuro-woodcut-in-renaissance-italy?_pos=1&_sid=ce2a0cc2a&_ss=r

MOSTRE/ESPOSIZIONI

ENTRY'S AUTHOR

Stiber Morenus L./ Takahatake N., 2020
Stiber Morenus L./ Takahatake N., Atlante delle xilografie italiane del Rinascimento, ALU.0968.1, https://archivi.cini.it/storiaarte/detail/48007/stampa-48007.html