NOTIZIE STORICO-CRITICHE
Chiaroscuro woodcut from 3 blocks, olive/black [trimmed]
See comment in ALU.0964.1
from
Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018,pp. 146-147.
Other impressions issued by the Vicentino workshop:
-Achenbach 1972.53.301: reds/black https://art.famsf.org/antonio-da-trento/st-thomas-after-parmigianino-197253301
-Berlin 983-19: olive/brown/black
-BnF Réserve EA 38: reds/black
-Chatworth vol. IV, fol. 30, no. 43: gray/blue/black
-Grunwald: verdigris
-Albertina DG2002/452: reds/black https://sammlungenonline.albertina.at/m?queryid=15252d66-b166-4da5-8f76-50ec6b9a925d
Impressions issued by the the Ladder in a Shield Printer in light brown/brown/black:
-Albertina DG 2002/449 [possibly this edition, or Vicentino workshop edition]: brown https://sammlungenonline.albertina.at/m?queryid=c501fcb0-12e4-4309-b590-0801aa526faf
BIBLIOGRAFIA
Mariette P.J.,
Abecedario de P. J. Mariette et autres notes inédites de cet amateur sur les arts et les artistes, Paris, 1853-1860, v. 3, p. 304
Copertini G.,
Il Parmigianino, Parma, 1932, v. 2, p. 47, n. 7
Popham A.E.,
Catalogue of the drawings of Parmigianino, New Haven, 1971, v. 1, pp. 16, 71, 156–57, nn. 96, 468–71, 473–74
Gnann A.,
Parmigianino. Die Zeichnungen, Petersberg, 2007, v. 1, p. 174, 194, 337 n. 774
Gnann A.,
In Farbe! Clair-obscur-Holzschnitte der Renaissance - Meisterwerke aus der Sammlung Georg Baselitz und der Albertina in Wien, Monaco, 2013, p. 154, nn. 62–70
, Parmigianino. Dessins du Louvre, Parigi/ Milano, 2015, p. 126, nn. 40–43 (Serra R.)
Stiber Morenus L., "The chiaroscuro woodcut printmaking of Ugo da Carpi, Antonio da Trento and Niccolò Vicentino: technique in relation to artistic style",
Printing colour 1400 - 1700, Leiden, 2015, 123-139, pp. 130–139