definizione: stampa

identificazione: Apostoli: San Simone

titolo parallelo: Saint Simon

Washington D.C., National Gallery of Art, Prints (Andrew W. Mellon Fund)

tipo acquisizione: donazione

nome: Clayton Mordaunt Cracherode

1799

sec. XVI, secondo quarto

1540 ca. - 1549 ca.

• Mazzola Francesco detto il Parmigianino (1503 -1540) (inventore)

  vedi scheda autore

• Antonio da Trento (1510 ca./ 1550), attr. (incisore)

  vedi scheda autore

• Niccolò Vicentino (1510 ca./ post 1566), attr. (incisore)

  vedi scheda autore

Niccolò Vicentino, 1510 ca./ post 1566 (bottega)

Veneto

xilografia; chiaroscuro; mm ca.

materia del supporto: carta

buono

Chiaroscuro woodcut from 3 blocks, light olive green/medium olive green/umber brown [trimmed]

See comment in ALU.0964.1
from
Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018,pp. 146-147.


Other impressions issued by the Vicentino workshop:

-MFA 64.1058: olive/brown/black https://collections.mfa.org/objects/167749/st-simon?ctx=0f9cc241-1f4b-473d-8f3a-6cef518b1736&idx=0
-Berlin 457-22
-BnF Réserve EA 39: reds/black
-BD 5 Mazzuoli: ocher/black
-BD 5 Mazzuoli: blue/dark blue/black
-Albertina: light brown/brown/black
.Albertina DG 2002/445: light brown/brown/black https://sammlungenonline.albertina.at/m?queryid=1910dcb9-e5a2-4205-adbb-a292f7bdf443
-Rijksmuseum RP-P-OB-31.225 http://hdl.handle.net/10934/RM0001.COLLECT.52114

Impression issued by Andreani:

-MFA 64.1059 https://collections.mfa.org/objects/167750/st-simon?ctx=5c3c1da2-7b21-4364-8242-4cbca3b33620&idx=0
-MMA 59.570.340: https://www.metmuseum.org/art/collection/search/631858

tipologia: fotografia digitale

ente proprietario: Washington, National Gallery of Art ©

Bartsch A., Le peintre graveur, Vienne, 1803-1821, v. XII, p. 70, n. 10

Kolloff E., "Antonio da Trento", Allgemeines Kűnstler-Lexiikon, 1878, v. 2, p. 152, nn. 7–19

Vasari G. - Bettarini R./ Barocchi P., Le vite de' più eccellenti pittori scultori e architettori nelle redazioni del 1550 e 1568, Firenze, 1966-1987, v. 5, p. 12

Mariette P.J., Abecedario de P. J. Mariette et autres notes inédites de cet amateur sur les arts et les artistes, Paris, 1853-1860, v. 3, p. 304

Copertini G., Il Parmigianino, Parma, 1932, v. 2, p. 47, n. 7

Popham A.E., Catalogue of the drawings of Parmigianino, New Haven, 1971, v. 1, pp. 16, 71, 156–57, nn. 96, 468–71, 473–74

Ekserdjian D., Parmigianino, New Haven, 2006, pp. 235–236

Gnann A., Parmigianino. Die Zeichnungen, Petersberg, 2007, v. 1, p. 174, 194, 337 n. 774

Gnann A., In Farbe! Clair-obscur-Holzschnitte der Renaissance - Meisterwerke aus der Sammlung Georg Baselitz und der Albertina in Wien, Monaco, 2013, p. 154, nn. 62–70

, Parmigianino. Dessins du Louvre, Parigi/ Milano, 2015, p. 126, nn. 40–43 (Serra R.)

Stiber Morenus L., "The chiaroscuro woodcut printmaking of Ugo da Carpi, Antonio da Trento and Niccolò Vicentino: technique in relation to artistic style", Printing colour 1400 - 1700, Leiden, 2015, 123-139, pp. 130–139

Takahatake N., The Chiaroscuro Woodcut in Renaissance Italy, Los Angeles, 2018, pp. 146-147 (Stiber Morenus L./ Takahatake N.), p. 146, n. 52 
https://www.thelacmastore.org/products/the-chiaroscuro-woodcut-in-renaissance-italy?_pos=1&_sid=ce2a0cc2a&_ss=r

Chiaroscuro Woodcut in Renaissance Italy Los Angeles County Museum of Art, Los Angeles, CA., June - September 2018 National Gallery of Art, Washington, D.C., October 2018 - January 2019, 2018-2019

Stiber Morenus L./ Takahatake N., 2020

Stiber Morenus L./ Takahatake N., Atlante delle xilografie italiane del Rinascimento, ALU.0973.1, https://archivi.cini.it/storiaarte/detail/48183/stampa-48183.html