definizione: stampa

identificazione: Apostoli: San Simone

titolo parallelo: Saint Simon

Washington D.C., National Gallery of Art, Prints (Andrew W. Mellon Fund)

tipo acquisizione: donazione

nome: Clayton Mordaunt Cracherode

1799

sec. XVI, secondo quarto

1540 ca. - 1549 ca.

• Mazzola Francesco detto il Parmigianino (1503 -1540) (inventore)

  vedi scheda autore

• Antonio da Trento (1510 ca./ 1550), attr. (incisore)

  vedi scheda autore

• Niccolò Vicentino (1510 ca./ post 1566), attr. (incisore)

  vedi scheda autore

Niccolò Vicentino, 1510 ca./ post 1566 (bottega)

Veneto

xilografia; chiaroscuro; mm ca.

materia del supporto: carta

buono

Chiaroscuro woodcut from 3 blocks, light olive green/medium olive green/umber brown [trimmed]

See comment in ALU.0964.1
from
Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018,pp. 146-147.


Other impressions issued by the Vicentino workshop:

-MFA 64.1058: olive/brown/black https://collections.mfa.org/objects/167749/st-simon?ctx=0f9cc241-1f4b-473d-8f3a-6cef518b1736&idx=0
-Berlin 457-22
-BnF Réserve EA 39: reds/black
-BD 5 Mazzuoli: ocher/black
-BD 5 Mazzuoli: blue/dark blue/black
-Albertina: light brown/brown/black
.Albertina DG 2002/445: light brown/brown/black https://sammlungenonline.albertina.at/m?queryid=1910dcb9-e5a2-4205-adbb-a292f7bdf443
-Rijksmuseum RP-P-OB-31.225 http://hdl.handle.net/10934/RM0001.COLLECT.52114

Impression issued by Andreani:

-MFA 64.1059 https://collections.mfa.org/objects/167750/st-simon?ctx=5c3c1da2-7b21-4364-8242-4cbca3b33620&idx=0
-MMA 59.570.340: https://www.metmuseum.org/art/collection/search/631858

tipologia: fotografia digitale

ente proprietario: Washington, National Gallery of Art ©

Bartsch A. , Vienne, 1803-1821 , v. XII, p. 70, n. 10

Kolloff E. , 1878 , v. 2, p. 152, nn. 7–19

Vasari G. - Bettarini R./ Barocchi P. , Firenze, 1966-1987 , v. 5, p. 12

Mariette P.J. , Paris, 1853-1860 , v. 3, p. 304

Copertini G. , Parma, 1932 , v. 2, p. 47, n. 7

Popham A.E. , New Haven, 1971 , v. 1, pp. 16, 71, 156–57, nn. 96, 468–71, 473–74

Ekserdjian D. , New Haven, 2006 , pp. 235–236

Gnann A. , Petersberg, 2007 , v. 1, p. 174, 194, 337 n. 774

Gnann A. , Monaco, 2013 , p. 154, nn. 62–70

, Parigi/ Milano, 2015 , p. 126, nn. 40–43 (Serra R.)

Stiber Morenus L. , Leiden, 2015 , pp. 130–139

Takahatake N. , Los Angeles, 2018 , pp. 146-147 (Stiber Morenus L./ Takahatake N.), p. 146, n. 52

Chiaroscuro Woodcut in Renaissance Italy Los Angeles County Museum of Art, Los Angeles, CA., June - September 2018 National Gallery of Art, Washington, D.C., October 2018 - January 2019, 2018-2019

Stiber Morenus L./ Takahatake N., 2020

Stiber Morenus L./ Takahatake N., Atlante delle xilografie italiane del Rinascimento, ALU.0973.1, https://archivi.cini.it/storiaarte/detail/48183/stampa-48183.html