Chiaroscuro woodcut from 2 blocks, brown/black Parmigianino drawing relating to the right half of the print is at Chatsworth (inv. no. 795C).
Other impressions, mostly issued by the Vicentino workshop (some of uncertain workshop):
-BM W,4.103: olive/brown (NB some penwork) https://www.britishmuseum.org/collection/object/P_W-4-103
-BM 1895,0122.1283: orange-brown/black https://www.britishmuseum.org/collection/object/P_1895-0122-1283
-Ashmolean WA 1868.3925: brown/black -Achenbach: light blue/black (Vicentino workshop)
-PMA 1985-52-2104: light brown/black https://www.philamuseum.org/collections/permanent/30117.html
-PMA 1985-52-2105: light brown/black
-Hamburg inv. 1312: orange/black https://www.philamuseum.org/collections/permanent/30118.html
-Albertina 2003.159.24.4 green-blue/black (possibly verdigris ink)
-Albertina DG2002/514: orange/black https://sammlungenonline.albertina.at/m?queryid=e520cf6e-ca2c-4851-bdd4-d2d6832e91a6
-Budapest 6180: light blue/black http://printsanddrawings.hu/search/prints/6180/
-MFA 1975.557: verdigris ink/black https://collections.mfa.org/objects/173550/mucius-scaevola -EnsBA Est Mas 102: light blueblack
-Frankfurt 33968: olive-gray/black
-MMA 22.73.3.37: blue-green/black https://www.metmuseum.org/art/collection/search/631833
-Uffizi 12909: light brown/dark brown
-Uffizi st sc 117: brown-gray/black Impressions issued by the Printer of Greek Text in orange/black:
-Asmolean WA1863.3925 https://collections.ashmolean.org/object/739757 Line-block only impression (later):
-Achenbach 1993.63.206
-Rome, ICG: FN 10085
Published by Andreani: Library of Congress FP - XVI - M478, no. 30 (A size) : light brown/black https://lccn.loc.gov/2008675411