definizione: stampa

identificazione: FUGA DI CLELIA DAL CAMPO DI PORSENNA

titolo parallelo: Cloelia Fleeing the Camp of Porsenna

Londra, British Museum, Prints and Drawings

tipo acquisizione: donazione

nome: Clayton Mordaunt Cracherode

1799

, Collezione Clayton Mordaunt Cracherode

data uscita: 1799

sec. XVI, secondo quarto

1540 ca. - 1549 ca.

• Maturino da Firenze (1489 ca./ 1527 ca.) (inventore)

  vedi scheda autore

• Niccolò Vicentino (1510 ca./ post 1566) (incisore)

  vedi scheda autore

Niccolò Vicentino, 1510 ca./ post 1566 (bottega)

Veneto

primo stato (di due)

xilografia; chiaroscuro; mm 280 x 418 ca.

materia del supporto: carta

buono

Chiaroscuro woodcut from 3 blocks, gray-brown/blue/black, i state

state i/ii: inscription cut in darkest block: “MATVRIN/ IOS. NIC/ VICENT”
state ii/ii: first state inscriptions removed; plug added in the darkest block with publisher's address “MATVRIN/INVENT/ 16 AA 08/ In Mantoua”; lightest tone black replaced (or recut)

The composition relates to a fresco by Maturino in the Villa Lante (now in the Palazzo Zuccari).

See also comment in ALU.0991.1.


Other Vicentino Workshop impressions (state i/ii):

-Albertina DG 2002/363: verdigris containing inks, and black https://sammlungenonline.albertina.at/m?queryid=0fc214c0-cdc6-4490-8947-dfca27a964be
-Albertina DG 2002/362: lime/green/black https://sammlungenonline.albertina.at/m?queryid=5fbd0b94-8580-46b9-89b9-7ffd2fe8c29d
-Kirk Edward Long Collection Standford University L.15.202.2007: http://cantorcollection.stanford.edu/objects-1/info?query=mfs%20all%20%22Niccol%C3%B2%20Vicentino%22&page=8
-MMA 17.50.12: verdigris containing inks, and black https://www.metmuseum.org/art/collection/search/632473
-MMA 22.73.3-62: light blue/blue/black https://www.metmuseum.org/art/collection/search/633760
-Berlin 462-38: gray-brown/blue/black
-Budapest 6273: olive/umber/dark brown http://printsanddrawings.hu/search/prints/6273/
-Budapest 6272: yellow/light brown/black http://printsanddrawings.hu/search/prints/6272/
-Uffizi 115 st. sc.: lead white containing inks
-Munich 6138: orange-brown/black (missing lightest tone block)
-MFA 64.1133: brown-gray/brown/dark brown https://collections.mfa.org/objects/167962/cloelia-fleeing-from-the-camp-of-porsena
-MFA 64.1083: olive greens/umber brown https://collections.mfa.org/objects/167827/cloelia-fleeing-from-the-camp-of-porsena
-MFA M9724: mustard/brown/black https://collections.mfa.org/objects/85178/cloelia-fleeing-from-the-camp-of-porsena
.V&A 19486: beige-grays (darkened lead white) https://collections.vam.ac.uk/item/O654278/print/

Impressions issued by the Ladder in a Shield Printer in browns/black (state i/ii):

-LACMA M.64.35: NB an additional (second lightest) tone block added) https://collections.lacma.org/node/234070
Windsor [check accession]: gray-brown/blue/dark blue
-RCIN 830794 https://www.rct.uk/collection/search#/3/collection/830794/cloelia-escaping-over-the-tiber

Impressions issued by the Printer of Greek Text (state i/ii):

-Yale 1964.9.13a: orange-brown/black (missing lightest tone block) https://artgallery.yale.edu/collections/objects/7810

Andreani impressions (state ii/ii):

-BM W,4.112 https://www.britishmuseum.org/collection/object/P_W-4-112

tipologia: fotografia digitale

ente proprietario: London, British Museum ©

note: Creative Commons

Bartsch A., Le peintre graveur, Vienne, 1803-1821, v. XII, p. 96, n. 5

, Myth, Allegory and Faith. The Kirk Edward Long Collection of Mannerist Prints, Cinisello Balsamo, 2015, n. 452

Takahatake N., 2020

Takahatake N., Atlante delle xilografie italiane del Rinascimento, ALU.0988.1, https://archivi.cini.it/storiaarte/detail/48587/stampa-48587.html, ISBN 978-88-96445-24-2