OGGETTO
definizione: stampa
SOGGETTO
identificazione: SACRA FAMIGLIA CON DUE SANTI
titolo parallelo: Holy Family with Two Saints
DATAZIONE
sec. XVI, secondo quarto
1540 ca. - 1549 ca.
AUTORE
STATO DELLA STAMPA
primo stato (di due)
STATO DI CONSERVAZIONE
buono
MODALITÀ DI CONSERVAZIONE
RESTAURI
ISCRIZIONI
STEMMI, MARCHI
NOTIZIE STORICO-CRITICHE
Chiaroscuro woodcut from 2 blocks, red/black, i state
state i/ii: no inscriptions
state ii/ii: with Andreani's monogram inscribed in the light one block, lower left
The related drawing is Parmigianino, Holy Family with Two Saints, c. 1527–29, red chalk with white heightening, 28.4 × 20.7 cm, Uffizi, Gabinetto dei Disegni e delle Stampe, 1517E
Other Vicentino workshop impressions (state i/ii):
-NGA 1988.65.1: light orange-brown/black https://www.nga.gov/collection/art-object-page.70787.html
-PMA 1985-52-175: check palette (possibly verdigris/black) https://www.philamuseum.org/collections/permanent/30107.html
-Private Collection, Venice: red/black
-MFA 1975.565: red/black https://collections.mfa.org/objects/173601/the-virgin-and-child-accompanied-by-saints
-BnF BD 5 Mazzuoli: light blue/black
-Budapest 6219: light brown/black http://printsanddrawings.hu/search/prints/6219/
-MFA B4105: lavender/black https://collections.mfa.org/objects/76063/the-virgin-and-child-accompanied-by-saints
-MFA P1701: olive-light brown/black https://collections.mfa.org/objects/94603/the-virgin-and-child-accompanied-by-saints
-Fitzwilliam
-MMA 22.73.3-36: olive/black https://www.metmuseum.org/art/collection/search/631737
-Uffizi st. sc. 112: olive/gray
-Albertina DG 2002/430: light brown/black https://sammlungenonline.albertina.at/m?queryid=d9a24158-62c0-4f4b-94b8-3b8c512c726e
-Rijksmuseum RP-P-OB-31.117: light brown/black http://hdl.handle.net/10934/RM0001.COLLECT.51599
Issued by the Printer of Greek Text in orange/black:
-Library of Congress XVI-V633.37: https://lccn.loc.gov/2008678929
Andreani impression (state ii/ii):
-BM W,4.72: https://www.britishmuseum.org/collection/object/P_W-4-72
NB: There are a number of line-block only variant impressions (see, for example, NGA 1988.65.2 https://www.nga.gov/collection/art-object-page.70788.html and Rijksmuseum RP-P-OB-31.116 http://hdl.handle.net/10934/RM0001.COLLECT.51596); these appear to be late printings, likely issued by Andreani.
state i/ii: no inscriptions
state ii/ii: with Andreani's monogram inscribed in the light one block, lower left
The related drawing is Parmigianino, Holy Family with Two Saints, c. 1527–29, red chalk with white heightening, 28.4 × 20.7 cm, Uffizi, Gabinetto dei Disegni e delle Stampe, 1517E
Other Vicentino workshop impressions (state i/ii):
-NGA 1988.65.1: light orange-brown/black https://www.nga.gov/collection/art-object-page.70787.html
-PMA 1985-52-175: check palette (possibly verdigris/black) https://www.philamuseum.org/collections/permanent/30107.html
-Private Collection, Venice: red/black
-MFA 1975.565: red/black https://collections.mfa.org/objects/173601/the-virgin-and-child-accompanied-by-saints
-BnF BD 5 Mazzuoli: light blue/black
-Budapest 6219: light brown/black http://printsanddrawings.hu/search/prints/6219/
-MFA B4105: lavender/black https://collections.mfa.org/objects/76063/the-virgin-and-child-accompanied-by-saints
-MFA P1701: olive-light brown/black https://collections.mfa.org/objects/94603/the-virgin-and-child-accompanied-by-saints
-Fitzwilliam
-MMA 22.73.3-36: olive/black https://www.metmuseum.org/art/collection/search/631737
-Uffizi st. sc. 112: olive/gray
-Albertina DG 2002/430: light brown/black https://sammlungenonline.albertina.at/m?queryid=d9a24158-62c0-4f4b-94b8-3b8c512c726e
-Rijksmuseum RP-P-OB-31.117: light brown/black http://hdl.handle.net/10934/RM0001.COLLECT.51599
Issued by the Printer of Greek Text in orange/black:
-Library of Congress XVI-V633.37: https://lccn.loc.gov/2008678929
Andreani impression (state ii/ii):
-BM W,4.72: https://www.britishmuseum.org/collection/object/P_W-4-72
NB: There are a number of line-block only variant impressions (see, for example, NGA 1988.65.2 https://www.nga.gov/collection/art-object-page.70788.html and Rijksmuseum RP-P-OB-31.116 http://hdl.handle.net/10934/RM0001.COLLECT.51596); these appear to be late printings, likely issued by Andreani.
DOCUMENTAZIONE FOTOGRAFICA
tipologia: fotografia digitale
ente proprietario: London, British Museum ©
note: Creative Commons
REPERTORI
Bartsch A., Le peintre graveur, Vienne, 1803-1821, v. XII, p. 64, n. 24
BIBLIOGRAFIA
MOSTRE/ESPOSIZIONI
AUTORE DELLA SCHEDA
Takahatake N., 2020
Takahatake N., Atlante delle xilografie italiane del Rinascimento, ALU.0983.1, https://archivi.cini.it/storiaarte/detail/48964/stampa-48964.html
