definizione: stampa

identificazione: Cristo guarisce i lebbrosi

titolo parallelo: Christ Healing the Lepers

Londra, British Museum, Prints and Drawings

tipo acquisizione: donazione

nome: Clayton Mordaunt Cracherode

1799

, Collezione Clayton Mordaunt Cracherode

data uscita: 1799

sec. XVI, secondo quarto

1540 ca. - 1549 ca.

• Mazzola Francesco detto il Parmigianino (1503 -1540) (inventore)

  vedi scheda autore

• Niccolò Vicentino (1510 ca./ post 1566) (incisore)

  vedi scheda autore

Niccolò Vicentino, 1510 ca./ post 1566 (bottega)

Veneto

primo stato (di due)

xilografia; chiaroscuro; mm 302 x 412 ca.

materia del supporto: carta

buono

Chiaroscuro woodcut from 3 blocks, mustard/brown/black, i state

state i/ii: inscription in the light tone block “IOSEPH NICOLAVS/VICENTINI”
state ii/ii: with Andreani's address added with a plug in the darkest block: “AA in mantoua 1608”


See comment in ALU.0992.1
from
Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018, pp. 131-135.


Other impressions of state i/ii issued by Vicentino's workshop:

-BM W,4.51: medium violet/dark violet/black https://www.britishmuseum.org/collection/object/P_W-4-51 (ALU.0992.1)
-V&A E.288-1890: lime/green/black http://collections.vam.ac.uk/item/O927655/christ-healing-the-lepers-print-vicentino-giuseppe-niccolo/
-V&A 29471.2: mustard/brown/black
-PMA 1985-52-42: verdigris greens/black https://www.philamuseum.org/collections/permanent/30071.html
-MFA 64.1041: medium violet/dark violet/black https://collections.mfa.org/objects/168238/christ-healing-the-lepers
-Rijksmuseum RP-P-OB-31.147: medium violet/dark violet/black http://hdl.handle.net/10934/RM0001.COLLECT.51762
-Georg Baselitz collection (published in Gnann 2013, no. 96, p. 209): medium violet/dark violet/black
-BnF RESERVE EA 26 BOITE FOL: medium violet/dark violet/black
-BNF EA 39 Réserve: lime/green/black
-BnF RESERVE EA 26 BOITE FOL epreuve d: mustard/brown/black
-BNF BD 5 Mazzuoli: light gray/gray/black
-BNF BD 5 Mazzuoli: gray/blue/black
-BNF 26 Boîte: medium brown-green/dark brown-green/black
-Private Collection: medium violet/dark violet/black
-MFA 21.10852: gray/olive/dark gray https://collections.mfa.org/objects/85199/christ-healing-the-lepers
-Munich 12179: mustard/brown/black
-Harvard M9918: light brown/brown/black https://hvrd.art/o/279378
-Berlin 457-38: olive/dark brown/black http://www.smb-digital.de/eMuseumPlus?service=ExternalInterface&module=collection&objectId=1617752&viewType=detailView
-Braunschweig I.XVII.V5904: light gray/gray/black http://kk.haum-bs.de/?id=vicentino-n-v3-5904
-Harvard G7490: mustard/brown/black https://hvrd.art/o/279377
-MFA 64.1040: mustard/brown/black https://collections.mfa.org/objects/168232/christ-healing-the-lepers
-MMA 17.50.10: Light blue/blue/black https://www.metmuseum.org/art/collection/search/633684
-MMA 62.635.511: light brown/brown/black (possibly later edition) https://www.metmuseum.org/art/collection/search/633689
-Rothschild 4378: gray/blue/black
-Albertina DG2002/420: medium brown-green/dark brown-green/black https://sammlungenonline.albertina.at/m?queryid=d047f3a4-f2b0-4141-927f-bb2199239eeb
-Albertina DG1138: lime/green/black https://sammlungenonline.albertina.at/m?queryid=5dce9e2f-7f3a-4938-825c-7791ac5f7677
-Albertina DG2002/422: red-red-brown/black https://sammlungenonline.albertina.at/m?queryid=5f96e394-8730-4abb-9ba1-3a1ef9610b02
-Albertina DG2002/421: light blue/gray blue/black https://sammlungenonline.albertina.at/m?queryid=38757ceb-b155-48a1-951e-ebb9e019859c
-Wesleyan Davison Art Center: 1940.D1.194: mustard/brown/black http://dac-collection.wesleyan.edu/Obj12204?sid=4197145&x=409525156&sort=122
-Fondation Custodia inv 1763

Variant from the darkest block only in black:

-Munich 12178

Impressions of state i/ii issued by the Ladder in a Shield Printer in light brown/brown/black:

-Berlin 39-1882
-EnsBA Est. Mas. 54: http://www.ensba.fr/ow2/catzarts/voir.xsp?id=00101-19067&qid=sdx_q0&n=13&sf=&e=

Impressions of state ii/ii issued by Andreani (1608):

-MMA 22.73.3-58: https://www.metmuseum.org/art/collection/search/633693

tipologia: fotografia digitale

ente proprietario: London, British Museum ©

note: Creative Commons

Bartsch A., Le peintre graveur, Vienne, 1803-1821, v. XII, p. 39, n. 15

Popham A.E., Catalogue of the drawings of Parmigianino, New Haven, 1971, v. 1, p. 204, n. 690, v. 2, tav. 133

Vaccaro M., "Parmigianino and the poetry of drawing", Parmigianino. The drawing, Tornino, 2000, pp. 73-73, pp. 73–74

Franklin D., The art of Parmigianino, New Haven, 2003, p. 217

Russell J., "The Analysis of Inks on Seven Italian Chiaroscuro Woodcut Prints", Department of Conservation and Scientific Research, 2013, unpublished

Johnson J., "Linking chiaroscuro woodcuts through physical features", Myth, Allegory and Faith. The Kirk Edward Long Collection of Mannerist Prints, Cinisello Balsamo, 2015, pp. 137-159, pp. 142, 153–56

Stiber Morenus L./ Eng C.W./ Takahatake N./ Rambaldi D.C., "Sixteenth -and Seventeenth- Century Italian Chiaroscuro Woodcut: Instrumental Analysis, Degradation and Conservation", in Journal of the American Institute of Conservation, 2015, pp. 238-271, pp. 243, 246, 254–255

Stiber Morenus L., "The chiaroscuro woodcut printmaking of Ugo da Carpi, Antonio da Trento and Niccolò Vicentino: technique in relation to artistic style", Printing colour 1400 - 1700, Leiden, 2015, 123-139, pp. 132–139

Price, B.A./ Ash, N./ Dine, H.A., "A technical study of sixteenth-century Italian chiaroscuro woodcuts", Printing colour 1400 - 1700, Leiden, 2015, pp. 140-150, p. 144

Takahatake N., The Chiaroscuro Woodcut in Renaissance Italy, Los Angeles, 2018, pp. 131-135 (Stiber Morenus L.) 
https://www.thelacmastore.org/products/the-chiaroscuro-woodcut-in-renaissance-italy?_pos=1&_sid=ce2a0cc2a&_ss=r

Stiber Morenus L., 2020

Stiber Morenus L., Atlante delle xilografie italiane del Rinascimento, ALU.0992.2, https://archivi.cini.it/storiaarte/detail/49088/stampa-49088.html, ISBN 978-88-96445-24-2