definizione: stampa

identificazione: FORTEZZA

titolo parallelo: Fortitude

Londra, British Museum, Prints and Drawings

tipo acquisizione: acquisto

nome: Thibaudeau, Alphonse Wyatt

1884

, Collezione Fountaine Walker (Lugt 2545, 4840, 4841, 4842)

sec. XVI, secondo quarto

1540 ca. - 1549 ca.

• Perin del Vaga (1501/ 1547) (inventore)

  vedi scheda autore

• Niccolò Vicentino (1510 ca./ post 1566) (incisore)

  vedi scheda autore

altre attribuzioni: Francesco Mazzola detto il Parmigianino (inventore)

Niccolò Vicentino, 1510 ca./ post 1566 (bottega)

Veneto

xilografia; chiaroscuro; mm 150 x 97 ca.

materia del supporto: carta

buono

Chiaroscuro woodcut from 3 blocks, three blues; only state

See comment in ALU.1003.1
from

Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018, pp. 157-160.

Other Vicentino workshop impressions:

-BnF BD 5A: verdigris ink palette
-BnF EA 26 boite: verdigris ink palette
-MFA 21.10801: gray-green/olive/black https://collections.mfa.org/objects/126942/strength?ctx=ab539c2a-909d-40be-b178-84a560547030&idx=0

Ladder in a Shield Printer impressions in light brown/brown/black:

-Albertina DG 2002/478 (possibly) https://sammlungenonline.albertina.at/m?queryid=b1e9a7de-9f49-4d90-86cf-9b7b6355b610
-Baselitz (Gnann, no. 108) (possibly)
-Rijksmuseum RP-P-OB-31.081 (possibly) http://hdl.handle.net/10934/RM0001.COLLECT.51433

Printer of Greek Text impression in yellow ocher/brown/black:

-MFA 64.1120: https://collections.mfa.org/objects/167870/strength?ctx=1f192a91-6851-4351-aac2-fabff08b381f&idx=0

Example of Andreani impression:

-BM W,4.101: https://www.britishmuseum.org/collection/object/P_W-4-101

tipologia: fotografia digitale

ente proprietario: London, British Museum ©

Bartsch A., Le peintre graveur, Vienne, 1803-1821, v. XII, p. 129, n. 4

Trotter W.H., Chiaroscuro woodcuts of the circles of Raphael and Parmigianino a study in reproductive graphics, The Univ. of North Carolina, 1974, pp. 290–292

Cordellier D./ Py B., Raffaello e i suoi disegni di Raffaello e della sua cerchia, Roma, 1992, pp. 642–644, n. 1050

, The Sixteenth century Greek book in Italy. Printers and publishers for the Greek world, Venezia, 1994, pp. 32–38, 429., n. 13, fig. 36

Johnson J., "Greek gexts on chiaroscuro woodcuts", in Print Quarterly, 2012, pp. 417-418, pp. 417-418

Gnann A., In Farbe! Clair-obscur-Holzschnitte der Renaissance - Meisterwerke aus der Sammlung Georg Baselitz und der Albertina in Wien, Monaco, 2013, 228–230,, fig. 59

Stiber Morenus L., "The chiaroscuro woodcut printmaking of Ugo da Carpi, Antonio da Trento and Niccolò Vicentino: technique in relation to artistic style", Printing colour 1400 - 1700, Leiden, 2015, 123-139, pp. 133–139

Stiber Morenus L./ Eng C.W./ Takahatake N./ Rambaldi D.C., "Sixteenth -and Seventeenth- Century Italian Chiaroscuro Woodcut: Instrumental Analysis, Degradation and Conservation", in Journal of the American Institute of Conservation, 2015, pp. 238-271, pp. 248, 254

Takahatake N., The Chiaroscuro Woodcut in Renaissance Italy, Los Angeles, 2018, pp. 157-160 (Stiber Morenus L./ Takahatake N.) 
https://www.thelacmastore.org/products/the-chiaroscuro-woodcut-in-renaissance-italy?_pos=1&_sid=ce2a0cc2a&_ss=r

Stiber Morenus L./ Takahatake N., 2020

Stiber Morenus L./ Takahatake N., Atlante delle xilografie italiane del Rinascimento, ALU.1006.1, http://192.168.3.88:8180/cini-web/storiaarte/detail/49906/stampa-49906;JSESSIONID_OPAC_CINI=12ACA29E77CB6E18D3DA6BFC49B3FCAF.html