definizione: stampa

identificazione: TEMPERANZA

titolo parallelo: Temperance

Washington D.C., Library of Congress, Prints and Photographs Division

sec. XVI, secondo quarto

1540 ca. - 1549 ca.

• Perin del Vaga (1501/ 1547) (inventore)

  vedi scheda autore

• Niccolò Vicentino (1510 ca./ post 1566) (incisore)

  vedi scheda autore

altre attribuzioni: Francesco Mazzola detto il Parmigianino (inventore)

Niccolò Vicentino, 1510 ca./ post 1566 (bottega)

Veneto

xilografia; chiaroscuro; mm 145 x 97 ca.

materia del supporto: carta

buono

Chiaroscuro woodcut from 3 blocks, verdigris ink palette; i state

state i/ii: no inscriptions
state ii/ii: with Andreani's monogram inscribed in the light tone block

See comment in ALU.1003.1
from
Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018, pp. 157-160.

Other Vicentino Workshop impressions (state i/ii):

-Budapest 6192: light blue/purple/dark blue http://printsanddrawings.hu/search/prints/6192/
-BM 1941,1213.542: orange/brown/black https://www.britishmuseum.org/collection/object/P_1941-1213-542

Ladder in a Shield Printer impressions in light brown/brown/black (state i/ii):

-LACMA M.88.91.531: https://collections.lacma.org/node/171322
-MFA 64.1123: https://collections.mfa.org/objects/167896/temperance?ctx=c30a836e-c899-4f75-b4d6-583d430d97d0&idx=0
-Albertina DG 2002/482 (possibly): https://sammlungenonline.albertina.at/m?queryid=31be5b66-3a31-44db-9eed-9b70e7f22f85

Printer of Greek Text impressions yellow ocher/brown/black (state i/ii):

-MFA 64.1122: https://collections.mfa.org/objects/167884/temperance?ctx=a6c2c139-4e19-4b62-b6fc-2e0a9521b263&idx=0

Andreani impressions (state ii/ii):

-Harvard G7525
: https://hvrd.art/o/211777

tipologia: fotografia digitale

ente proprietario: Washington, Library of Congress ©

Bartsch A., Le peintre graveur, Vienne, 1803-1821, v. XII, p. 129, n. 5

Trotter W.H., Chiaroscuro woodcuts of the circles of Raphael and Parmigianino a study in reproductive graphics, The Univ. of North Carolina, 1974, pp. 290–292

Cordellier D./ Py B., Raffaello e i suoi disegni di Raffaello e della sua cerchia, Roma, 1992, pp. 642–644, n. 1050

, The Sixteenth century Greek book in Italy. Printers and publishers for the Greek world, Venezia, 1994, pp. 32–38, 429., n. 13, fig. 36

Johnson J., "Greek gexts on chiaroscuro woodcuts", in Print Quarterly, 2012, pp. 417-418, pp. 417-418

Gnann A., In Farbe! Clair-obscur-Holzschnitte der Renaissance - Meisterwerke aus der Sammlung Georg Baselitz und der Albertina in Wien, Monaco, 2013, 228–230,, fig. 59

Stiber Morenus L., "The chiaroscuro woodcut printmaking of Ugo da Carpi, Antonio da Trento and Niccolò Vicentino: technique in relation to artistic style", Printing colour 1400 - 1700, Leiden, 2015, 123-139, pp. 133–139

Stiber Morenus L./ Eng C.W./ Takahatake N./ Rambaldi D.C., "Sixteenth -and Seventeenth- Century Italian Chiaroscuro Woodcut: Instrumental Analysis, Degradation and Conservation", in Journal of the American Institute of Conservation, 2015, pp. 238-271, pp. 248, 254

Takahatake N., The Chiaroscuro Woodcut in Renaissance Italy, Los Angeles, 2018, pp. 157-160 (Stiber Morenus L./ Takahatake N.), p. 157, n. 59 
https://www.thelacmastore.org/products/the-chiaroscuro-woodcut-in-renaissance-italy?_pos=1&_sid=ce2a0cc2a&_ss=r

Chiaroscuro Woodcut in Renaissance Italy Los Angeles County Museum of Art, Los Angeles, CA., June - September 2018 National Gallery of Art, Washington, D.C., October 2018 - January 2019, 2018-2019

Stiber Morenus L./ Takahatake N., 2020

Stiber Morenus L./ Takahatake N., Atlante delle xilografie italiane del Rinascimento, ALU.1007.1, https://archivi.cini.it/storiaarte/detail/49938/stampa-49938.html