OBJECT
definition: stampa
SUBJECT
identification: Madonna in trono, Santi e donatore
: The Virgin and Child with Saints and a Donor
PROVENIENZA
DATE
sec. XVI, metà
1529 post - 1550 ca.
AUTHOR
STATE
primo stato (di due)
CONSERVATION
buono
MODALITÀ DI CONSERVAZIONE
RESTORATIONS
INSCRIPTIONS
STEMMI, MARCHI
HISTORICAL INFORMATION
Chiaroscuro woodcut from 3 blocks, i state
Only known impression: a darkest block-only variant
state i/ii: inscribed in light tone block: “Taglio d'Alex.ro Ghandini”; before Andreani's address
state ii/ii: with Andreani's address added to the darkest block: “AA/ In Mantova/MDCX”
See also comment in ALU.1050.1
from
Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018, pp. 196-199.
Andreani impression (state ii/ii):
-BM 1895,0122.1266: light brown/brown/black https://www.britishmuseum.org/collection/object/P_1895-0122-1266
Only known impression: a darkest block-only variant
state i/ii: inscribed in light tone block: “Taglio d'Alex.ro Ghandini”; before Andreani's address
state ii/ii: with Andreani's address added to the darkest block: “AA/ In Mantova/MDCX”
See also comment in ALU.1050.1
from
Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018, pp. 196-199.
Andreani impression (state ii/ii):
-BM 1895,0122.1266: light brown/brown/black https://www.britishmuseum.org/collection/object/P_1895-0122-1266
PHOTOGRAPHS
type of material: fotografia digitale
ente proprietario: Amsterdam, Rijksmuseum ©
BIBLIOGRAPHY
BIBLIOGRAPHY
Popham A.E., Catalogue of the drawings of Parmigianino, New Haven, 1971, v. 1, p. 214, n. 746, v. 2, tav. 208
Trotter W.H., Chiaroscuro woodcuts of the circles of Raphael and Parmigianino a study in reproductive graphics, The Univ. of North Carolina, 1974, pp. 120–121
Vasari G. - Bettarini R./ Barocchi P., Le vite de' più eccellenti pittori scultori e architettori nelle redazioni del 1550 e 1568, Firenze, 1966-1987, v. 5, p. 13, n. 148
Ekserdjian D., Parmigianino, New Haven, 2006, p. 33
Gnann A., In Farbe! Clair-obscur-Holzschnitte der Renaissance - Meisterwerke aus der Sammlung Georg Baselitz und der Albertina in Wien, Monaco, 2013, p. 270, n. 132
Johnson J., "Alessandro Gandini. Uncovering the identity of a chiaroscuro woodcutter", in Print Quarterly, 2013, pp. 3-13, pp. 3-13
Takahatake N., The Chiaroscuro Woodcut in Renaissance Italy, Los Angeles, 2018, pp. 196-200 (Takahatake N.)
https://www.thelacmastore.org/products/the-chiaroscuro-woodcut-in-renaissance-italy?_pos=1&_sid=ce2a0cc2a&_ss=r
https://www.thelacmastore.org/products/the-chiaroscuro-woodcut-in-renaissance-italy?_pos=1&_sid=ce2a0cc2a&_ss=r
MOSTRE/ESPOSIZIONI
ENTRY'S AUTHOR
Takahatake N., 2020
Takahatake N., Atlante delle xilografie italiane del Rinascimento, ALU.1051.1, https://archivi.cini.it/storiaarte/detail/50232/stampa-50232.html, ISBN 978-88-96445-24-2
