definizione: stampa

identificazione: Ercole scaccia l'Avarizia dal tempio delle Muse (Versione B)

titolo parallelo: Hercules Chasing Avarice from the Temple of the Muses (Version B)

Los Angeles, Los Angeles County Museum of Art, Mary Stansbury Ruiz Bequest, Prints and Drawings

sec. XVI, prima metà

1520 ca. - 1527 ca.

• Ugo da Carpi (1468-70 ca./ 1532) (incisore)

  vedi scheda autore

• Peruzzi Baldassarre (1481-1536) (inventore)

  vedi scheda autore

secondo stato (di due)

xilografia; chiaroscuro; mm 292 x 225 ca.,

materia del supporto: carta

filigrana: presente: siren in a circle

buono

Chiaroscuro woodcut from 2 blocks, brown-gray/black, state ib
Inscriptions: “BAL. SEN” and “PER VGO” in the line block

States: state ia before damage to the bird; state ib with damage to the bird

See comment in ALU.0950.1

Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018, pp. 73-77.

Other impressions of state ib:
-BM 1895,0122.1239: brown-gray/black (wmk: siren in a circle) https://www.britishmuseum.org/collection/object/P_1895-0122-1239
-BM 1856,0614.137: brown-gray/black (wmk: siren in a circle) https://www.britishmuseum.org/collection/object/P_1856-0614-137
-Rijkmseum 31.085: gray/black (wmk: siren in circle) RP-P-OB-31.085 http://hdl.handle.net/10934/RM0001.COLLECT.51438
-Budapest 6161: gray/black (wmk: siren in circle; with tone block of Venus on verso) http://printsanddrawings.hu/search/prints/6161/
-Baselitz collection (Gnann, no. 31): (wmk: siren in circle)
-BnF EA 39 res: gray/black (wmk: siren in circle; with tone block of Venus on verso)
-Cleveland 25.443: gray/black (wmk: siren in circle) https://www.clevelandart.org/art/1925.443
-MMA 20.24.76: gray/black (wmk: siren in circle) https://www.metmuseum.org/art/collection/search/337700
-BNE Madrid 44267: blue-green/black (wmk: hand and flower)
-Chatsworth vol. IV, fol. 65, no. 88: gray/black (possibly with tone block of Venus on verso)
-MFA Boston 64.1125: brown-gray/black https://collections.mfa.org/objects/4355/hercules-chasing-avarice-from-the-temple-of-the-muses
-Windsor: gray/black
-Lisbon: brown-gray/black
-Long Collection (Barryte, no. 48)

Uncertain state
-MMA 22.73.3-21: gray/black https://www.metmuseum.org/art/collection/search/632802
-Braunschweig I.XVI.8: blue-gray/black (inv. UdCarpi AB 3.8) http://kk.haum-bs.de/?id=carpi-u-d-ab3-0008
-Fitzwilliam [check accession]: brown-gray/black
-Paris, Rothschild 4387: brown-gray/black
-Frankfurt 33938: gray/black

For impressions of Version A see ALU.0949.1

For impressions of Version B, state ia see ALU.0950.1

tipologia: scansione da libro

Bartsch A., Le peintre graveur, Vienne, 1803-1821, v. XII, p. 133, n. 12

Frommel C.L., Baldassare Peruzzi als Maler und Zeichner, München, 1968, pp. 116–117

Freedberg S.J., Painting of the High Renaissance in Rome and Florence, New York, 1972, v. 1, p. 405

, Drawings and prints of the first Maniera 1515-1535, Rhode Island, Brown University and Museum of Art, 1973, p. 103, n. 103 (A. Wagner)

Johnson J., "I chiaroscuri di Ugo da Carpi", in Print Collector - Il conoscitore di stampe, Milano, 1982, p. 30, n. 5

Vasari G. - Bettarini R./ Barocchi P., Le vite de' più eccellenti pittori scultori e architettori nelle redazioni del 1550 e 1568, Firenze, 1966-1987, v. 5, p. 15

Landau D./ Parshall P., The Renaissance Print 1470-1550, New Haven-London, 1994, pp. 153–54

, Ugo da Carpi. L'opera incisa. Xilografie e chiaroscuri da Tiziano, Raffaello e Parmigianino, Carpi, 2009, p. 119, n. 14 (R. Sassi)

Takahatake N., "Ugo da Carpi. Review of Ugo da Carpi, l'opera incisa: Xilografie e chiarsocuri da Tiziano, Raffaello e Parmigianino, edited by M. Rossi", in Print Quarterly, London, 2010, XVII, 2010, 3, pp. 317-321, p. 320

Gnann A., In Farbe! Clair-obscur-Holzschnitte der Renaissance - Meisterwerke aus der Sammlung Georg Baselitz und der Albertina in Wien, Monaco, 2013, p. 91, nn. 30-31

Takahatake N., "Raphael and the chiaroscuro woodcut", Raffael als Zeichner. Die Beiträge des Frankfurter Kolloquiums, 2015, pp. 167-186, pp. 171-172

Barryte B., Myth, Allegory, and Faith: The Kirk Edward Long Collection of Mannerist Prints, Stanford University, 2016, p. 380, n. 48

Reeves E., "The Chiaroscuro Woodcut in Early Modern Period", Structures of Practical Knowledge, 2017, pp. 189-221, pp. 213-214

Takahatake N., The Chiaroscuro Woodcut in Renaissance Italy, Los Angeles, 2018, pp. 73-77, n. 8 (Takahatake N.), p. 75 
https://www.thelacmastore.org/products/the-chiaroscuro-woodcut-in-renaissance-italy?_pos=1&_sid=ce2a0cc2a&_ss=r

Chiaroscuro Woodcut in Renaissance Italy Los Angeles County Museum of Art, Los Angeles, CA., June - September 2018 National Gallery of Art, Washington, D.C., October 2018 - January 2019, 2018-2019

Takahatake N., 2020

Takahatake N., Atlante delle xilografie italiane del Rinascimento, ALU.0950.2, https://archivi.cini.it/storiaarte/detail/45668/stampa-45668.html