Istituto di Storia dell'Arte / Atlante delle Xilografie italiane del Rinascimento

OGGETTO

definizione: stampa

SOGGETTO

titolo parallelo: Hercules Chasing Avarice from the Temple of the Muses (Version B)

LOCALIZZAZIONE

Los Angeles, Los Angeles County Museum of Art, Mary Stansbury Ruiz Bequest, Prints and Drawings

PROVENIENZA

DATAZIONE

sec. XVI, prima metà
1520 ca. - 1527 ca.

AUTORE

STATO DELLA STAMPA

secondo stato (di due)

DATI TECNICI

xilografia; chiaroscuro; mm 292 x 225 ca.,
materia del supporto: carta
filigrana: presente: siren in a circle

STATO DI CONSERVAZIONE

buono

MODALITÀ DI CONSERVAZIONE

RESTAURI

ISCRIZIONI

tipologia: indicazione di responsabilità
tecnica di scrittura: a stampa
tipo di caratteri: lettere capitali
trascrizione: .BAL.SEN

tipologia: indicazione di responsabilità
tecnica di scrittura: a stampa
tipo di caratteri: lettere capitali
trascrizione: PER VGO









STEMMI, MARCHI

NOTIZIE STORICO-CRITICHE

Chiaroscuro woodcut from 2 blocks, brown-gray/black, state ib
Inscriptions: “BAL. SEN” and “PER VGO” in the line block

States: state ia before damage to the bird; state ib with damage to the bird

See comment in ALU.0950.1

Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018, pp. 73-77.

Other impressions of state ib:
-BM 1895,0122.1239: brown-gray/black (wmk: siren in a circle) https://www.britishmuseum.org/collection/object/P_1895-0122-1239
-BM 1856,0614.137: brown-gray/black (wmk: siren in a circle) https://www.britishmuseum.org/collection/object/P_1856-0614-137
-Rijkmseum 31.085: gray/black (wmk: siren in circle) RP-P-OB-31.085 http://hdl.handle.net/10934/RM0001.COLLECT.51438
-Budapest 6161: gray/black (wmk: siren in circle; with tone block of Venus on verso) http://printsanddrawings.hu/search/prints/6161/
-Baselitz collection (Gnann, no. 31): (wmk: siren in circle)
-BnF EA 39 res: gray/black (wmk: siren in circle; with tone block of Venus on verso)
-Cleveland 25.443: gray/black (wmk: siren in circle) https://www.clevelandart.org/art/1925.443
-MMA 20.24.76: gray/black (wmk: siren in circle) https://www.metmuseum.org/art/collection/search/337700
-BNE Madrid 44267: blue-green/black (wmk: hand and flower)
-Chatsworth vol. IV, fol. 65, no. 88: gray/black (possibly with tone block of Venus on verso)
-MFA Boston 64.1125: brown-gray/black https://collections.mfa.org/objects/4355/hercules-chasing-avarice-from-the-temple-of-the-muses
-Windsor: gray/black
-Lisbon: brown-gray/black
-Long Collection (Barryte, no. 48)

Uncertain state
-MMA 22.73.3-21: gray/black https://www.metmuseum.org/art/collection/search/632802
-Braunschweig I.XVI.8: blue-gray/black (inv. UdCarpi AB 3.8) http://kk.haum-bs.de/?id=carpi-u-d-ab3-0008
-Fitzwilliam [check accession]: brown-gray/black
-Paris, Rothschild 4387: brown-gray/black
-Frankfurt 33938: gray/black

For impressions of Version A see ALU.0949.1

For impressions of Version B, state ia see ALU.0950.1

DOCUMENTAZIONE FOTOGRAFICA

tipologia: scansione da libro

REPERTORI

Bartsch A., Le peintre graveur, Vienne, 1803-1821, v. XII, p. 133, n. 12

BIBLIOGRAFIA

Frommel C.L., Baldassare Peruzzi als Maler und Zeichner, München, 1968, pp. 116–117
Freedberg S.J., Painting of the High Renaissance in Rome and Florence, New York, 1972, v. 1, p. 405
, Drawings and prints of the first Maniera 1515-1535, Rhode Island, Brown University and Museum of Art, 1973, p. 103, n. 103 (A. Wagner)
Johnson J., "I chiaroscuri di Ugo da Carpi", in Print Collector - Il conoscitore di stampe, Milano, 1982, p. 30, n. 5
Vasari G. - Bettarini R./ Barocchi P., Le vite de' più eccellenti pittori scultori e architettori nelle redazioni del 1550 e 1568, Firenze, 1966-1987, v. 5, p. 15
Landau D./ Parshall P., The Renaissance Print 1470-1550, New Haven-London, 1994, pp. 153–54
, Ugo da Carpi. L'opera incisa. Xilografie e chiaroscuri da Tiziano, Raffaello e Parmigianino, Carpi, 2009, p. 119, n. 14 (R. Sassi)
Takahatake N., "Ugo da Carpi. Review of Ugo da Carpi, l'opera incisa: Xilografie e chiarsocuri da Tiziano, Raffaello e Parmigianino, edited by M. Rossi", in Print Quarterly, London, 2010, XVII, 2010, 3, pp. 317-321, p. 320
Gnann A., In Farbe! Clair-obscur-Holzschnitte der Renaissance - Meisterwerke aus der Sammlung Georg Baselitz und der Albertina in Wien, Monaco, 2013, p. 91, nn. 30-31
Takahatake N., "Raphael and the chiaroscuro woodcut", Raffael als Zeichner. Die Beiträge des Frankfurter Kolloquiums, 2015, pp. 167-186, pp. 171-172
Barryte B., Myth, Allegory, and Faith: The Kirk Edward Long Collection of Mannerist Prints, Stanford University, 2016, p. 380, n. 48
Reeves E., "The Chiaroscuro Woodcut in Early Modern Period", Structures of Practical Knowledge, 2017, pp. 189-221, pp. 213-214
Takahatake N., The Chiaroscuro Woodcut in Renaissance Italy, Los Angeles, 2018, pp. 73-77, n. 8 (Takahatake N.), p. 75 
https://www.thelacmastore.org/products/the-chiaroscuro-woodcut-in-renaissance-italy?_pos=1&_sid=ce2a0cc2a&_ss=r

MOSTRE/ESPOSIZIONI

Chiaroscuro Woodcut in Renaissance Italy Los Angeles County Museum of Art, Los Angeles, CA., June - September 2018 National Gallery of Art, Washington, D.C., October 2018 - January 2019, 2018-2019

AUTORE DELLA SCHEDA

Takahatake N., 2020
Takahatake N., Atlante delle xilografie italiane del Rinascimento, ALU.0950.2, http://192.168.3.88:8180/cini-web/storiaarte/detail/45668/stampa-45668;JSESSIONID_OPAC_CINI=25167CC7622D876CB367962F4872D5D0.html