definizione: stampa

identificazione: Apostoli: San Matteo

titolo parallelo: Saint Matthew

Londra, British Museum, Prints and Drawings

tipo acquisizione: donazione

nome: Morgan H.R.

1945

, Collezione H.R. Morgan

data uscita: 1945

, Collezione Richard Ford (Lugt 2208, 2209, 937)

sec. XVI, secondo quarto

1540 ca. - 1549 ca.

• Mazzola Francesco detto il Parmigianino (1503 -1540) (inventore)

  vedi scheda autore

• Antonio da Trento (1510 ca./ 1550), attr. (incisore)

  vedi scheda autore

• Niccolò Vicentino (1510 ca./ post 1566), attr. (incisore)

  vedi scheda autore

Niccolò Vicentino, 1510 ca./ post 1566 (bottega)

Veneto

xilografia; chiaroscuro; mm 154 x 106 ca.

materia del supporto: carta

buono

Chiaroscuro woodcut from 3 blocks, browns/black

See comment in ALU.0964.1
from
Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018,pp. 146-147.


Other impressions issued by the Vicentino workshop:

-BnF BD 5 Mazzuoli: orange/medium orange/black
-Chatsworth vol. IV, fol. 30, no. 44: gray/blue/black
-MFA 64.1056: verdigris https://collections.mfa.org/objects/167747/st-matthew
-Albertina DG2002/443: gray/blue/black https://sammlungenonline.albertina.at/m?queryid=c87cd115-96b9-4d4d-b744-4ac564055f27

Impressions issued by the the Ladder in a Shield Printer in light brown/brown/black:

-Albertina DG 2002/440 [possibly this edition, or Vicentino workshop edition] https://sammlungenonline.albertina.at/m?queryid=fe97ef83-f311-4eb2-87a0-70599a04683d

Impressions issued by the the Printer of Greek Text in orange/brown/black:

-BnF Réserve EA 39
-Rijksmuseum RP-P-OB-31.221 http://hdl.handle.net/10934/RM0001.COLLECT.52112
-MMA 26.70.3(120): https://www.metmuseum.org/art/collection/search/631845?searchField=All&sortBy=Relevance&ft=26.70.3(120)&offset=0&rpp=20&pos=1

tipologia: fotografia digitale

ente proprietario: London, British Museum ©

note: Creative Commons

Bartsch A., Le peintre graveur, Vienne, 1803-1821, v. XII, p. 70, n. 7

Kolloff E., "Antonio da Trento", Allgemeines Kűnstler-Lexiikon, 1878, v. 2, p. 152, nn. 7–19

Vasari G. - Bettarini R./ Barocchi P., Le vite de' più eccellenti pittori scultori e architettori nelle redazioni del 1550 e 1568, Firenze, 1966-1987, v. 5, p. 12

Mariette P.J., Abecedario de P. J. Mariette et autres notes inédites de cet amateur sur les arts et les artistes, Paris, 1853-1860, v. 3, p. 304

Copertini G., Il Parmigianino, Parma, 1932, v. 2, p. 47, n. 7

Popham A.E., Catalogue of the drawings of Parmigianino, New Haven, 1971, v. 1, pp. 16, 71, 156–57, nn. 96, 468–71, 473–74

Ekserdjian D., Parmigianino, New Haven, 2006, pp. 235–236

Gnann A., Parmigianino. Die Zeichnungen, Petersberg, 2007, v. 1, p. 174, 194, 337 n. 774

Gnann A., In Farbe! Clair-obscur-Holzschnitte der Renaissance - Meisterwerke aus der Sammlung Georg Baselitz und der Albertina in Wien, Monaco, 2013, p. 154, nn. 62–70

, Parmigianino. Dessins du Louvre, Parigi/ Milano, 2015, p. 126, nn. 40–43 (Serra R.)

Stiber Morenus L., "The chiaroscuro woodcut printmaking of Ugo da Carpi, Antonio da Trento and Niccolò Vicentino: technique in relation to artistic style", Printing colour 1400 - 1700, Leiden, 2015, 123-139, pp. 130–139

Takahatake N., The Chiaroscuro Woodcut in Renaissance Italy, Los Angeles, 2018, pp. 146-147 (Stiber Morenus L./ Takahatake N.) 
https://www.thelacmastore.org/products/the-chiaroscuro-woodcut-in-renaissance-italy?_pos=1&_sid=ce2a0cc2a&_ss=r

Stiber Morenus L./ Takahatake N., 2020

Stiber Morenus L./ Takahatake N., Atlante delle xilografie italiane del Rinascimento, ALU.0970.1, https://archivi.cini.it/storiaarte/detail/48111/stampa-48111.html, ISBN 978-88-96445-24-2