HISTORICAL INFORMATION
Chiaroscuro woodcut from 3 blocks, verdigris greens/black
See comment in ALU.0964.1
from
Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018,pp. 146-147.
Other impressions issued by the Vicentino workshop:
-BnF Réserve EA 39: reds
-BnF BD 5 Mazzuoli: verdigris
-Budapest 6235: blue-grays/dark gray http://printsanddrawings.hu/search/prints/6235/
-Chatsworth vol. IV, fol 30, no 41: browns
-MMA 39.20.5: reds https://www.metmuseum.org/art/collection/search/631826?searchField=All&sortBy=Relevance&ft=39.20.5&offset=0&rpp=20&pos=2
-MFA 64.1050: gray/blue/black https://collections.mfa.org/objects/168279/st-andrew?ctx=b3f3cb73-16a1-4b5b-9213-924f667b6f8a&idx=0
-Albertina: verdigris (still turquoise color)
-Albertina: gray/blue/black
-Albertina DG 2002/438: verdigris (turned olive/brown) https://sammlungenonline.albertina.at/?query=search=/record/objectnumbersearch=[DG2002%2f438]&showtype=record
-Albertina DG 2002/439: possibly also verdigris or umber/olive palette https://sammlungenonline.albertina.at/?query=search=/record/objectnumbersearch=[DG2002%2f439]&showtype=record
Impressions issued by the the Ladder in a Shield Printer in light brown/brown/black:
-BnF BD 5 Mazzuoli
Impressions issued by the the Printer of Greek Text in orange/brown/black:
-Rijksmuseum RP-P-OB-31.222 http://hdl.handle.net/10934/RM0001.COLLECT.52113
Impression issued by Andreani:
-Achenbach 1963.30.700 https://art.famsf.org/antonio-da-trento/st-andrew-196330700
BIBLIOGRAPHY
Mariette P.J.,
Abecedario de P. J. Mariette et autres notes inédites de cet amateur sur les arts et les artistes, Paris, 1853-1860, v. 3, p. 304
Copertini G.,
Il Parmigianino, Parma, 1932, v. 2, p. 47, n. 7
Popham A.E.,
Catalogue of the drawings of Parmigianino, New Haven, 1971, v. 1, pp. 16, 71, 156–57, nn. 96, 468–71, 473–74
Gnann A.,
Parmigianino. Die Zeichnungen, Petersberg, 2007, v. 1, p. 174, 194, 337 n. 774
Gnann A.,
In Farbe! Clair-obscur-Holzschnitte der Renaissance - Meisterwerke aus der Sammlung Georg Baselitz und der Albertina in Wien, Monaco, 2013, p. 154, nn. 62–70
, Parmigianino. Dessins du Louvre, Parigi/ Milano, 2015, p. 126, nn. 40–43 (Serra R.)
Stiber Morenus L., "The chiaroscuro woodcut printmaking of Ugo da Carpi, Antonio da Trento and Niccolò Vicentino: technique in relation to artistic style",
Printing colour 1400 - 1700, Leiden, 2015, 123-139, pp. 130–139