OBJECT

definition: stampa

SUBJECT

identification: Apostoli: San Tommaso
: Saint Thomas

LOCATION

Londra, British Museum, Prints and Drawings

ACQUISITION

type of acquisition: donazione
1799

PROVENANCE

data uscita: 1799

DATE

sec. XVI, secondo quarto
1540 ca. - 1549 ca.

AUTHOR

EDITORI/STAMPATORI

Niccolò Vicentino, 1510 ca./ post 1566 (bottega)
Veneto

TECHNICAL DATA

xilografia; chiaroscuro; mm 123 x 75 ca.
medium material: carta

CONSERVATION

buono

MODALITÀ DI CONSERVAZIONE

RESTORATIONS

INSCRIPTIONS











STEMMI, MARCHI

HISTORICAL INFORMATION

Chiaroscuro woodcut from 3 blocks, olive/black [trimmed]

See comment in ALU.0964.1
from
Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018,pp. 146-147.


Other impressions issued by the Vicentino workshop:

-Achenbach 1972.53.301: reds/black https://art.famsf.org/antonio-da-trento/st-thomas-after-parmigianino-197253301
-Berlin 983-19: olive/brown/black
-BnF Réserve EA 38: reds/black
-Chatworth vol. IV, fol. 30, no. 43: gray/blue/black
-Grunwald: verdigris
-Albertina DG2002/452: reds/black https://sammlungenonline.albertina.at/m?queryid=15252d66-b166-4da5-8f76-50ec6b9a925d

Impressions issued by the the Ladder in a Shield Printer in light brown/brown/black:

-Albertina DG 2002/449 [possibly this edition, or Vicentino workshop edition]: brown https://sammlungenonline.albertina.at/m?queryid=c501fcb0-12e4-4309-b590-0801aa526faf

PHOTOGRAPHS

type of material: fotografia digitale
ente proprietario: London, British Museum ©
notes: Creative Commons

BIBLIOGRAPHY

Bartsch A., Le peintre graveur, Vienne, 1803-1821, v. XII, p. 70, n. 8
Kolloff E., "Antonio da Trento", Allgemeines Kűnstler-Lexiikon, 1878, v. 2, p. 152, nn. 7–19
Vasari G. - Bettarini R./ Barocchi P., Le vite de' più eccellenti pittori scultori e architettori nelle redazioni del 1550 e 1568, Firenze, 1966-1987, v. 5, p. 12

BIBLIOGRAPHY

Mariette P.J., Abecedario de P. J. Mariette et autres notes inédites de cet amateur sur les arts et les artistes, Paris, 1853-1860, v. 3, p. 304
Copertini G., Il Parmigianino, Parma, 1932, v. 2, p. 47, n. 7
Popham A.E., Catalogue of the drawings of Parmigianino, New Haven, 1971, v. 1, pp. 16, 71, 156–57, nn. 96, 468–71, 473–74
Ekserdjian D., Parmigianino, New Haven, 2006, pp. 235–236
Gnann A., Parmigianino. Die Zeichnungen, Petersberg, 2007, v. 1, p. 174, 194, 337 n. 774
Gnann A., In Farbe! Clair-obscur-Holzschnitte der Renaissance - Meisterwerke aus der Sammlung Georg Baselitz und der Albertina in Wien, Monaco, 2013, p. 154, nn. 62–70
, Parmigianino. Dessins du Louvre, Parigi/ Milano, 2015, p. 126, nn. 40–43 (Serra R.)
Stiber Morenus L., "The chiaroscuro woodcut printmaking of Ugo da Carpi, Antonio da Trento and Niccolò Vicentino: technique in relation to artistic style", Printing colour 1400 - 1700, Leiden, 2015, 123-139, pp. 130–139
Takahatake N., The Chiaroscuro Woodcut in Renaissance Italy, Los Angeles, 2018, pp. 146-147 (Stiber Morenus L./ Takahatake N.) 
https://www.thelacmastore.org/products/the-chiaroscuro-woodcut-in-renaissance-italy?_pos=1&_sid=ce2a0cc2a&_ss=r

MOSTRE/ESPOSIZIONI

ENTRY'S AUTHOR

Stiber Morenus L./ Takahatake N., 2020
Stiber Morenus L./ Takahatake N., Atlante delle xilografie italiane del Rinascimento, ALU.0971.1, https://archivi.cini.it/storiaarte/detail/48147/stampa-48147.html