OBJECT

definition: stampa

SUBJECT

identification: Apostoli: San Simone
: Saint Simon

LOCATION

Washington D.C., National Gallery of Art, Prints (Andrew W. Mellon Fund)

ACQUISITION

type of acquisition: donazione
1799

PROVENANCE

DATE

sec. XVI, secondo quarto
1540 ca. - 1549 ca.

AUTHOR

EDITORI/STAMPATORI

Niccolò Vicentino, 1510 ca./ post 1566 (bottega)
Veneto

TECHNICAL DATA

medium material: carta

CONSERVATION

buono

MODALITÀ DI CONSERVAZIONE

RESTORATIONS

INSCRIPTIONS











STEMMI, MARCHI

HISTORICAL INFORMATION

Chiaroscuro woodcut from 3 blocks, light olive green/medium olive green/umber brown [trimmed]

See comment in ALU.0964.1
from
Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018,pp. 146-147.


Other impressions issued by the Vicentino workshop:

-MFA 64.1058: olive/brown/black https://collections.mfa.org/objects/167749/st-simon?ctx=0f9cc241-1f4b-473d-8f3a-6cef518b1736&idx=0
-Berlin 457-22
-BnF Réserve EA 39: reds/black
-BD 5 Mazzuoli: ocher/black
-BD 5 Mazzuoli: blue/dark blue/black
-Albertina: light brown/brown/black
.Albertina DG 2002/445: light brown/brown/black https://sammlungenonline.albertina.at/m?queryid=1910dcb9-e5a2-4205-adbb-a292f7bdf443
-Rijksmuseum RP-P-OB-31.225 http://hdl.handle.net/10934/RM0001.COLLECT.52114

Impression issued by Andreani:

-MFA 64.1059 https://collections.mfa.org/objects/167750/st-simon?ctx=5c3c1da2-7b21-4364-8242-4cbca3b33620&idx=0
-MMA 59.570.340: https://www.metmuseum.org/art/collection/search/631858

PHOTOGRAPHS

type of material: fotografia digitale
ente proprietario: Washington, National Gallery of Art ©

BIBLIOGRAPHY

Bartsch A., Le peintre graveur, Vienne, 1803-1821, v. XII, p. 70, n. 10
Kolloff E., "Antonio da Trento", Allgemeines Kűnstler-Lexiikon, 1878, v. 2, p. 152, nn. 7–19
Vasari G. - Bettarini R./ Barocchi P., Le vite de' più eccellenti pittori scultori e architettori nelle redazioni del 1550 e 1568, Firenze, 1966-1987, v. 5, p. 12

BIBLIOGRAPHY

Mariette P.J., Abecedario de P. J. Mariette et autres notes inédites de cet amateur sur les arts et les artistes, Paris, 1853-1860, v. 3, p. 304
Copertini G., Il Parmigianino, Parma, 1932, v. 2, p. 47, n. 7
Popham A.E., Catalogue of the drawings of Parmigianino, New Haven, 1971, v. 1, pp. 16, 71, 156–57, nn. 96, 468–71, 473–74
Ekserdjian D., Parmigianino, New Haven, 2006, pp. 235–236
Gnann A., Parmigianino. Die Zeichnungen, Petersberg, 2007, v. 1, p. 174, 194, 337 n. 774
Gnann A., In Farbe! Clair-obscur-Holzschnitte der Renaissance - Meisterwerke aus der Sammlung Georg Baselitz und der Albertina in Wien, Monaco, 2013, p. 154, nn. 62–70
, Parmigianino. Dessins du Louvre, Parigi/ Milano, 2015, p. 126, nn. 40–43 (Serra R.)
Stiber Morenus L., "The chiaroscuro woodcut printmaking of Ugo da Carpi, Antonio da Trento and Niccolò Vicentino: technique in relation to artistic style", Printing colour 1400 - 1700, Leiden, 2015, 123-139, pp. 130–139
Takahatake N., The Chiaroscuro Woodcut in Renaissance Italy, Los Angeles, 2018, pp. 146-147 (Stiber Morenus L./ Takahatake N.), p. 146, n. 52 
https://www.thelacmastore.org/products/the-chiaroscuro-woodcut-in-renaissance-italy?_pos=1&_sid=ce2a0cc2a&_ss=r

MOSTRE/ESPOSIZIONI

Chiaroscuro Woodcut in Renaissance Italy Los Angeles County Museum of Art, Los Angeles, CA., June - September 2018 National Gallery of Art, Washington, D.C., October 2018 - January 2019, 2018-2019

ENTRY'S AUTHOR

Stiber Morenus L./ Takahatake N., 2020
Stiber Morenus L./ Takahatake N., Atlante delle xilografie italiane del Rinascimento, ALU.0973.1, https://archivi.cini.it/storiaarte/detail/48183/stampa-48183.html