definizione: stampa

identificazione: SPERANZA

titolo parallelo: Hope

Washington D.C., Library of Congress, Prints and Photographs Division

sec. XVI, secondo quarto

1540 ca. - 1549 ca.

• Perin del Vaga (1501/ 1547) (inventore)

  vedi scheda autore

• Niccolò Vicentino (1510 ca./ post 1566) (incisore)

  vedi scheda autore

altre attribuzioni: Francesco Mazzola detto il Parmigianino (inventore)

Niccolò Vicentino, 1510 ca./ post 1566 (bottega)

Veneto

xilografia; chiaroscuro; mm 145 x 97 ca.

materia del supporto: carta

buono

Chiaroscuro woodcut from 3 blocks, verdigris ink palette; only state

See comment in ALU.1003.1
from
Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018, pp. 157-160.

Other workshop Vicentino impressions:

-PMA 1985-52-2106: orange/brown/black https://www.philamuseum.org/collections/permanent/30050.html?mulR=865910796|13
-MFA 64.1117: gray/dark gary/black https://collections.mfa.org/objects/168315/hope?ctx=4358cd70-187b-44f6-9941-9717a2d59df7&idx=0
-MFA 64.1115: verdigris ink palette https://collections.mfa.org/objects/168292/hope?ctx=6c3ca076-97b6-4f8e-b7d3-eb2b183e1d93&idx=0
-BnF BD 5A: verdigris ink palette
-Budapest 6190: verdigris ink palette http://printsanddrawings.hu/search/prints/6190/
-Fitzwilliam: yellow/blue black

Ladder in a Shield Printer impressions in light brown/brown/black:

-BM 1859.0709.2382 (possibly)
-Albertina DG2002/480 (possibly) https://sammlungenonline.albertina.at/m?queryid=f37885da-e5ab-4e1e-990f-f9af5a2c276a

Printer of Greek Text impression in yellow ocher/brown/black:

-Rijksmuseum RP-P-OB-31.079: http://hdl.handle.net/10934/RM0001.COLLECT.51428

Example of Andreani impression:

-BM 1859,0709.2381: https://www.britishmuseum.org/collection/object/P_1859-0709-2381

tipologia: fotografia digitale

ente proprietario: Washington, Library of Congress ©

Bartsch A., Le peintre graveur, Vienne, 1803-1821, v. XII, p. 128, n. 2

Trotter W.H., Chiaroscuro woodcuts of the circles of Raphael and Parmigianino a study in reproductive graphics, The Univ. of North Carolina, 1974, pp. 290–292

Cordellier D./ Py B., Raffaello e i suoi disegni di Raffaello e della sua cerchia, Roma, 1992, pp. 642–644, n. 1050

, The Sixteenth century Greek book in Italy. Printers and publishers for the Greek world, Venezia, 1994, pp. 32–38, 429., n. 13, fig. 36

Johnson J., "Greek gexts on chiaroscuro woodcuts", in Print Quarterly, 2012, pp. 417-418, pp. 417-418

Gnann A., In Farbe! Clair-obscur-Holzschnitte der Renaissance - Meisterwerke aus der Sammlung Georg Baselitz und der Albertina in Wien, Monaco, 2013, 228–230,, fig. 59

Stiber Morenus L., "The chiaroscuro woodcut printmaking of Ugo da Carpi, Antonio da Trento and Niccolò Vicentino: technique in relation to artistic style", Printing colour 1400 - 1700, Leiden, 2015, 123-139, pp. 133–139

Stiber Morenus L./ Eng C.W./ Takahatake N./ Rambaldi D.C., "Sixteenth -and Seventeenth- Century Italian Chiaroscuro Woodcut: Instrumental Analysis, Degradation and Conservation", in Journal of the American Institute of Conservation, 2015, pp. 238-271, pp. 248, 254

Takahatake N., The Chiaroscuro Woodcut in Renaissance Italy, Los Angeles, 2018, pp. 157-160 (Stiber Morenus L./ Takahatake N.) 
https://www.thelacmastore.org/products/the-chiaroscuro-woodcut-in-renaissance-italy?_pos=1&_sid=ce2a0cc2a&_ss=r

Stiber Morenus L./ Takahatake N., 2020

Stiber Morenus L./ Takahatake N., Atlante delle xilografie italiane del Rinascimento, ALU.1004.1, http://192.168.3.88:8180/cini-web/storiaarte/detail/49841/stampa-49841;JSESSIONID_OPAC_CINI=26C3C5AC73C7A874FA484E4199F9841D.html