Chiaroscuro woodcut from 3 blocks, three blues; only state
See comment in ALU.1003.1 from Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018, pp. 157-160.
Other Vicentino workshop impressions:
-BnF BD 5A: verdigris ink palette
-BnF EA 26 boite: verdigris ink palette
-MFA 21.10801: gray-green/olive/black https://collections.mfa.org/objects/126942/strength?ctx=ab539c2a-909d-40be-b178-84a560547030&idx=0
Ladder in a Shield Printer impressions in light brown/brown/black:
-Albertina DG 2002/478 (possibly) https://sammlungenonline.albertina.at/m?queryid=b1e9a7de-9f49-4d90-86cf-9b7b6355b610
-Baselitz (Gnann, no. 108) (possibly)
-Rijksmuseum RP-P-OB-31.081 (possibly) http://hdl.handle.net/10934/RM0001.COLLECT.51433
Printer of Greek Text impression in yellow ocher/brown/black:
-MFA 64.1120: https://collections.mfa.org/objects/167870/strength?ctx=1f192a91-6851-4351-aac2-fabff08b381f&idx=0
Example of Andreani impression:
-BM W,4.101: https://www.britishmuseum.org/collection/object/P_W-4-101;
Impressions to be determined:
-Brema ,Kunsthalle inv. 34190
- Kirk Edward Long Collectio (possibly Andreani)