Chiaroscuro woodcut from 3 blocks, verdigris ink palette; i state
state i/ii: no inscriptions
state ii/ii: with Andreani's monogram inscribed in the light tone block
See comment in ALU.1003.1
from
Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018, pp. 157-160.
Other Vicentino Workshop impressions (state i/ii):
-Budapest 6192: light blue/purple/dark blue http://printsanddrawings.hu/search/prints/6192/
-BM 1941,1213.542: orange/brown/black https://www.britishmuseum.org/collection/object/P_1941-1213-542
Ladder in a Shield Printer impressions in light brown/brown/black (state i/ii):
-LACMA M.88.91.531: https://collections.lacma.org/node/171322
-MFA 64.1123: https://collections.mfa.org/objects/167896/temperance?ctx=c30a836e-c899-4f75-b4d6-583d430d97d0&idx=0
-Albertina DG 2002/482 (possibly): https://sammlungenonline.albertina.at/m?queryid=31be5b66-3a31-44db-9eed-9b70e7f22f85
Printer of Greek Text impressions yellow ocher/brown/black (state i/ii):
-MFA 64.1122: https://collections.mfa.org/objects/167884/temperance?ctx=a6c2c139-4e19-4b62-b6fc-2e0a9521b263&idx=0
Andreani impressions (state ii/ii):
-Harvard G7525
: https://hvrd.art/o/211777
-Kirk Edward Long Collection