OGGETTO

definizione: stampa

SOGGETTO

identificazione: FORTEZZA
titolo parallelo: Fortitude

LOCALIZZAZIONE

Londra, British Museum, Prints and Drawings

ACQUISIZIONE NELLA RACCOLTA

tipo acquisizione: acquisto
1884

DATAZIONE

sec. XVI, secondo quarto
1540 ca. - 1549 ca.

AUTORE

EDITORI/STAMPATORI

Niccolò Vicentino, 1510 ca./ post 1566 (bottega)
Veneto

DATI TECNICI

xilografia; chiaroscuro; mm 150 x 97 ca.
materia del supporto: carta

STATO DI CONSERVAZIONE

buono

MODALITÀ DI CONSERVAZIONE

RESTAURI

ISCRIZIONI











STEMMI, MARCHI

NOTIZIE STORICO-CRITICHE

Chiaroscuro woodcut from 3 blocks, three blues; only state

See comment in ALU.1003.1
from

Naoko Takahatake, The Chiaroscuro Woodcut in Renaissance Italy, exhibition catalogue, Los Angeles County Museum of Art, June-September 2018, National Gallery of Art, Washington D.C, October 2018-January 2019, DelMonico Books/Prestel, Munich-London-New York, 2018, pp. 157-160.

Other Vicentino workshop impressions:

-BnF BD 5A: verdigris ink palette
-BnF EA 26 boite: verdigris ink palette
-MFA 21.10801: gray-green/olive/black https://collections.mfa.org/objects/126942/strength?ctx=ab539c2a-909d-40be-b178-84a560547030&idx=0

Ladder in a Shield Printer impressions in light brown/brown/black:

-Albertina DG 2002/478 (possibly) https://sammlungenonline.albertina.at/m?queryid=b1e9a7de-9f49-4d90-86cf-9b7b6355b610
-Baselitz (Gnann, no. 108) (possibly)
-Rijksmuseum RP-P-OB-31.081 (possibly) http://hdl.handle.net/10934/RM0001.COLLECT.51433

Printer of Greek Text impression in yellow ocher/brown/black:

-MFA 64.1120: https://collections.mfa.org/objects/167870/strength?ctx=1f192a91-6851-4351-aac2-fabff08b381f&idx=0

Example of Andreani impression:

-BM W,4.101: https://www.britishmuseum.org/collection/object/P_W-4-101

DOCUMENTAZIONE FOTOGRAFICA

tipologia: fotografia digitale
ente proprietario: London, British Museum ©

REPERTORI

Bartsch A., Le peintre graveur, Vienne, 1803-1821, v. XII, p. 129, n. 4

BIBLIOGRAFIA

Trotter W.H., Chiaroscuro woodcuts of the circles of Raphael and Parmigianino a study in reproductive graphics, The Univ. of North Carolina, 1974, pp. 290–292
Cordellier D./ Py B., Raffaello e i suoi disegni di Raffaello e della sua cerchia, Roma, 1992, pp. 642–644, n. 1050
, The Sixteenth century Greek book in Italy. Printers and publishers for the Greek world, Venezia, 1994, pp. 32–38, 429., n. 13, fig. 36
Johnson J., "Greek gexts on chiaroscuro woodcuts", in Print Quarterly, 2012, pp. 417-418, pp. 417-418
Gnann A., In Farbe! Clair-obscur-Holzschnitte der Renaissance - Meisterwerke aus der Sammlung Georg Baselitz und der Albertina in Wien, Monaco, 2013, 228–230,, fig. 59
Stiber Morenus L., "The chiaroscuro woodcut printmaking of Ugo da Carpi, Antonio da Trento and Niccolò Vicentino: technique in relation to artistic style", Printing colour 1400 - 1700, Leiden, 2015, 123-139, pp. 133–139
Stiber Morenus L./ Eng C.W./ Takahatake N./ Rambaldi D.C., "Sixteenth -and Seventeenth- Century Italian Chiaroscuro Woodcut: Instrumental Analysis, Degradation and Conservation", in Journal of the American Institute of Conservation, 2015, pp. 238-271, pp. 248, 254
Takahatake N., The Chiaroscuro Woodcut in Renaissance Italy, Los Angeles, 2018, pp. 157-160 (Stiber Morenus L./ Takahatake N.) 
https://www.thelacmastore.org/products/the-chiaroscuro-woodcut-in-renaissance-italy?_pos=1&_sid=ce2a0cc2a&_ss=r

MOSTRE/ESPOSIZIONI

AUTORE DELLA SCHEDA

Stiber Morenus L./ Takahatake N., 2020
Stiber Morenus L./ Takahatake N., Atlante delle xilografie italiane del Rinascimento, ALU.1006.1, https://archivi.cini.it/storiaarte/detail/49906/stampa-49906.html